Sunday, February 26, 2017

Grimm, Season Six, Episode Eight:The Son Also Rises

"No man chooses evil because it is evil;
he only mistakes it for happiness."

It's clear to me that Grimm is going to drag out every last moment of this finale series before giving us a hopefully satisfying conclusion.  I guess that it was too much to ask that after six years of doling out the meta slower than molasses that the writers would change their style now. 

The Son Also Rises, begins with an official meeting of the scoobies at the spice shop. They are still trying to figure out the glyphs Eve drew on the walls of the tunnel. The only thing they know right now is that something is coming but they have no idea what. It's been a long day and Nick wants to return home but Eve, having experienced first hand how awkward it is to share a space with your ex and their new partner declines to accompany Nick.  Rosealee and Monroe offer to allow Eve to crash at their place but she decides to crash at the spice shop because Rosealee and Monroe need their space right now. 

Finally, alone, Eve turns introspective and tries to get a handle on who she is now. Eve picks up the mirror and the face appears again and so she breaks the mirror. Eve then turns to grab a boom to sweep up the mess but the mirror reassembles itself.  When Eve looks into the mirror a second time (why would you even do that), a hand  comes through the mirror and begins choking her.  Eve struggles but manages to woge and then bites the hand.  The hand retaliates by throwing her into a bookcase, knocking her unconscious.  Monroe and Rosalee find Eve the next day, lying on the ground unconscious next to the mirror. 

Nick is with Hank and Wu, investing the murder of Dr. Deidre Hampton, when he gets the call about Eve. Nick tells the guys that Juliette is hurt and that he has to leave. That's right, he said Juliette.  Damn it Grimm, stop with the love triangles. When Nick arrives at the hospital, Monroe and Rosalee give him the details of Eve's injury and Nick finally has the good sense to tell them about the monster he saw in the mirror. I particularly liked Monroe reading Nick the riot act a little bit about his failure to share information.  

Monroe and Rosealee head home and the first thing they do is lock up the damn mirror, though they determine that the issue is probably Eve and not the mirror. Monroe is completely cute about not letting Rosealee touch the mirror.  At the hospital, Nick settles down to begin his bedside vigil. 

Now that Nick has gone off to sit at Eve's bedside, Wu and Hank must investigate the case on their own. They decide to see Sanji, the last person that Deidre spoke to on the phone. Sanji gives Wu and Hank, some song and dance about what he and Deidre spoke about but given that the call only lasted 30 seconds, the cops smell the b.s. in the air.  When Hank and Wu discover that the fingerprints at the crime scene are from someone who's already dead, they become even more suspicious. 

It turns out that Sanji works with degenerative tissue, Deidre with stem cells and together, they work with Victor Shelly and Julian Levy.  That's right, the writers decided to do a Grimm version of Frankenstein.  This is confirmed when Grimm's monster sees a missing poster with his face on it, partially woges and then freaks the hell out calling himself a monster. We all know that in the original, the monster wanted revenge against its creator, so it's no surprise that this monster does as well. 

That night, Monroe has a dream about be awoken by Rosealee, who is now in labour.  Of course, it's far to early but Rosealee points out that there's nothing normal about them.  Monroe gives a sigh of relief after the first baby until Rosealee reminds him that she's having triplets.  When Rosealee has given birth to three babies, Monroe thinks it's all over except Rosealee tells him that there's more.  Rosealee keeps giving birth to babies and Monroe starts to beg her to stop. In the end, Rosealee wakes Monroe from his dream saying that he was screaming in his sleep. It seems that Monroe, despite keeping it all together for Rosealee, is scared out of his mind about becoming a father to multiple babies at once. 

In this version of Frankenstein, Hank and Wu discover that a mortuary has been selling bodies that it was supposed to cremate.  It seems that the mortician figured that since the deceased had no family to speak of and were criminals that no one would care what happened to their bodies.  Yes, I am officially creeped the fuck out by that. Harold explains that a man paid one thousand dollars for each body and that he claimed the income on his taxes. Is that supposed to absolve this creepy ass dude? When the Hank agree to let him go, the creepy mortician assures Hank that he learned a lesson. 

Feeling the pressure after Deidre's death, Sanji gets busy shredding his files. As he works Sanki and Dr. Levy discuss what to do with a video of their nefarious activities. When Dr. Levy leaves to clean up his own pile of evidence, Sanji is attacked from behind by the monster we saw earlier. 

The Vampire Diaries, Season 8, Episode 14: It's Been a Hell of a Ride

So, last week, Damon trusted Kai and this was a bad idea

I totally did not see this coming guys. Not at all. Nope.

He is now near death, hovering in limbo with Cade appearing to make a deal – hand over the stabby knife of Cade killing and he won’t kill Elena – who Kai has given to Cade in exchange for his own life (why is this a trade, again, why does Cade care so much). Kai has also kept the stabby dagger as insurance.

So this means appealing to Kai’s better nature (lol no) which Stefan insists oncoming along. Oh this is the new Stefan redemption train by the way – he decides he’s just going to join in in places where his human self is a completely useless waste of meat. After Stefan gets duly stabbed in the hand, it’s Damon who breaks Kai’s neck, steals the dagger and dump Kai in a prison

They’re still not killing him despite Alaric’s vote because… because… well, because.

Stefan also went to a very not interested Bonnie to beg forgiveness to which Bonnie told him just how much he can fuck himself mightily. Good on Bonnie. Ha, you know it’s not going to last, right? Yep, because ghostly Enzo wants Bonnie to forgive Stefan. Y’know how I’ve been mentioning over and over again that the morality issues of this series would be great if we were given more time to develop these a little more rather than just mentioning them in the last few episodes. Because this? Has a great point. This is the flip side of “everyone is evil” lesson of Vampire Diaries. If everyone is evil, then anyone being judgemental or unforgiving is a hypocrite. For every mass-murder you tut-over, you either have committed one yourself or are in love with/forgiving a different mass-murder. At this point no-one has the moral high ground. The “moral high ground” of the Vampire Diaries world is just a series of mines, or eccentric scientists trying to burrow to the centre of the Earth. The Moral high grounds involves different height piles of corpses everyone is stood on.

Again, this would be fun to develop

Also everyone is also trying to convince Stefan that redemption means hanging around with your support net (who also you need to actually make amends to) rather than running off to places unknown for reasons unknown which probably just means running away with everything

I have little patience for the Salvatore angst.

Caroline and Alaric are also concerned that their little girls are magic using scary kids with little control and causing a whole lot of destruction and danger. Caroline actually raises a reasonable point – maybe they’re shitty parents? All the chaos in their lives around these kids could have affected them.

Hey sirens and deaths and vampires and magic probably aren’t good for development of children even if they don’t have magic.

Kai has another insight: the girls are Geminis twins. And syphoners, basically just like him. Of course he didn’t turn out very well, but that was largely because the chosen solution to him being a syphoner was to isolate him from everyone, no touch, no compassion. So that’s a bad choice to make. Especially as he describes being a syphoner as desperate, addicted, hungry for magic. It’s certainly not an easy childhood.

Another bad choice to make may be to bring the syphoner kids to the Armoury which is like MAGIC CENTRAL and probably not a great place for them. There’s magic in the very walls – which is also a really bad place to imprison Kai, a siphoner

He escapes, incapacitates Caroline and goes on a rampage looking for the girls (who have been taught to hide from bad guys. See what we said about bad parenting? Your children need an emergency drill for psychopaths which they’re actually going to use, then that doesn’t speak for a stable childhood).

At least it’s a good drill that does protect the children and Kai can’t find them – giving Alaric time to find Kai and ambush him: and then, when acting as a distraction, Caroline can finish him off – because in the shifting powers of Vampire Diaries, a witch cannot fight a vampire they don’t see coming

Unfortunately this has distracted Alaric from his part in a plot he made with Stefan

Stefan and Damon arrange to hunt down Cade and while Damon would rather leave his human brother behind, Stefan insists he needs to be the one to do the stabbing

Which is infuriating. This isn’t absolution. This is narcissism. Stefan has placed his guilt at the centre of the world, his need for a gesture of redemption matters more than actually getting things done. Of course Damon is better suited to do the stabbing – he’s the vampire. But Stefan’s guilt means he not only demands this, but even incapacitates Damon so he can go it alone and be the human bringing down Cade.

This arrogant self-centredness should condemn him, not absolve him

It starts going well because Alaric rings the siren bell, which weakens and hurts Cade and allows Stefan to stab him a few times (hey, if this were Damon he could stab him a hundred times in the time it took Stefan to stab once) but then Alaric is called to help save his daughters from Kai.

Cade easily gets the upper hand when Damon arrives: and he offers Damon a choice; kill Elena or Stefan. Naturally, despite the angsty expressions, Damon accepts neither choice and instead chooses to sacrifice himself, willingly staking himself (see, Stefan, this is a redeeming sacrifice, rather than redeeming theatre).

Emerald City, Season One, Episode Nine: The Villain That's Become

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The Villain That's Become marks the penultimate episode of season one and perhaps the series given the cancellation bears predictions for Emerald City. We've slowly been working our way through getting the characters into position into what is certain to be an epic confrontation for the future of Oz. Who wins will decide if science or magic rules the realm.  

When we last saw Tip, she had come back to life after consuming East's magic and found West trying to kill herself.  Tip begs West not to do this and says that she saw her family in the afterlife.  It's only when West is convinced that Tip does indeed have East's magic that she decides to give living a chance. Revenge it seems is a mighty fine motivator.  With West back on their feet, they still need to deal with the fact that there are only two of them. West is a cardinal witch; however, Tip is new to magic. If they are going to take on the Wizard and win, they are going to need more people.  

As they trek through the woods, Tip randomly tries to use his magic but is unsuccessful, until West guides him to dig deep.  This results in Tip's body reverting to its male form.  This is what Tip wanted from the moment his body shifted. He excitedly takes a piss standing up. West however is certain that Tip will never be accepted as a male because the people know that the king and queen had a daughter and not a son.  Tip is adamant that this is who he is and the only way that he feels like himself. West does eventually relent and agrees to try it Tip's way. Tip never should have had to argue about living in the body he is comfortable in. 

Unfortunately, after freeing the witches from the prison of the abject, the witches decide that they are pissed with both West and Glinda, for their various betrayals to the Wizard.  So much for West's plan to charm the witches into an alliance. The witches float West in the air and use magic to sew her lips shut so that they can declare her guilt. This is when Tip makes the ultimate sacrifice and turns her body back to female in order for the witches to recognise her right to rule and to free West. Using magic, Tip confirms his identity as the Princess Ozma. Even though Tip comes across as triumphant and powerful in that moment, given his previous statements about his gender identity, this has got to be a huge sacrifice.  It broke my heart to see Tip change his body back to female given that he identifies as male.  For all of the power that Tip has recently gained, he's still being denied the right to live his life as he chooses. I think it's a huge setback for Emerald City to put Tip into a position where he's forced to live in a body that doesn't match his identity. 

Dorothy has her own triumphant moment though it makes absolutely zero sense to me.  Having escaped Glinda, Dorothy heads back to the little cabin where she spent the night with Lucas.  Dorothy barely catches a breath before being attacked by Lucas, who somehow got there before her.  Dorothy tries to plead with her but Lucas is determined to free his heart from her spell.  Fortunately for Dorothy, Toto may like Lucas but not enough to allow Lucas to kill her. When the dog intervenes, Dorothy tries to escape. Unfortunately, Toto isn't able to hold off Lucas for long and Dorothy quickly finds herself on her back being choked to death. Lucas begs Dorothy to make him stop and she whines about not wanting him to die.  Bitch, dude is trying to kill you, wake the fuck up. At any rate, Dorothy finally stabs Lucas in the abdomen before stringing him up as a scarecrow once again.  Dorothy's parting words to Lucas are that he now knows his past. 

Dorothy heads off to Ojo.  Dorothy promises to free Ojo's wife from the prison of the abject if she agrees to raise the stone giants.  Dorothy says that she knows that the Wizard has no power and that it was Ojo's wife all along.  The plan however comes to a halt when they arrive at the prison to find that West has already freed all but the dying and dead, and unfortunately for Ojo, his wife is among the dying. Reesa only wants to hear about how her children have been in her absence and doesn't give a shit about the stone giants or Dorothy's request. Reesa makes it clear that freeing the stone giants is what got her in this mess in the first place.

Saturday, February 25, 2017

Colony, Season Two, Episode Seven: Free Radicals

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So much happened this episode of Colony, that it's hard to know where to start. The one thing that is certain is that the writers are not playing any games and have amped up the story. Death to collaborators is about to become the genuine article and I for one heartily approve. 

We know that a big shipment is being sent out from the factory where Bram is being housed but until this episode, we didn't know what the shipment was or the plans of the resistance in this regard.  When Bram was recruited by the resistance, he had no idea just how vital his help would be.  It turns out that for all of their planning and scheming, what the resistance has needed all along is someone on the inside capable of gaining Snyder's trust and to get access to Snyder's swipe card. Bram is informed of his task after having the briefest sex possible with Maya in the back of a crate. It seems that fucking is a tradition of people in the resistance before heading out on a mission. Well, if you're gonna die, one last orgasm seems the least that they are entitled to and poor Maya doesn't even get to cum. 

Bram meets with Snyder and expresses his worry that the resistance is on to him and will kill him. Snyder tries to reassure Bram but is called away by a guard. Bram uses the opportunity to search Snyder's desk and steal his access card. When Snyder returns, Bram is standing behind his desk, thus raising Snyder's suspicion.  Bram plays it off like he was just looking at Snyder's map and questions if he will be allowed to go home if he provides Snyder with information. Snyder, being the snake that he is, is quick to agree and so Bram points to the map and says that the prisoners are planning an escape. I gotta say, I didn't think Bram had it in him to be so smooth. 

Back on the factory floor, a couple of prisoners make their way towards the fence and having been warned by Bram, the Agency forces are ready for them.  What Snyder doesn't realise is that he's been played and that this has all been a distraction so that Maya and Bram can get away. Bram and Maya race with their homemade bomb to the storage area that Snyder showed Nolan in the last episode. When they open up one of the capsules they find an unconscious woman inside. Maya frees the woman, who promptly falls to the ground and starts expectorating the vilest green goop.  It looks like the woman is actually drowning from being forced to breathe the air.  It's enough to make me wonder if a) she's an alien or b) the aliens are turning humans into them? 

Bram and Maya don't have time to speculate about the woman because Jenkins has tracked them down.  Maya sends Bram off to deal with Jenkins armed with a shank while she continues with the mission.  Unsurprisingly, Bram doesn't fare well against Jenkins and is only saved by another prisoner sneaking up behind Jenkins and bashing his head in. I am sincerely hoping that Jenkins, who is a cruel bastard, is dead. Bram is ordered to rejoin the rest of the prisoners before it's noted that he's missing. 

The prisoners are all rounded up and Snyder is quick to note that one person is missing. The missing person as we know is Maya. Considering that Snyder was told that the plan was to escape the factory, he's not overly wound up, particularly because they can still send the shipment off on time.  The ship takes off and everything is fine at first, but suddenly it explodes. All of the Los Angeles Bloc sees the explosion, which is clearly meant to signal that the resistance is alive and well. 

Bram is absolutely stunned by the events of the day and is clearly in far over his head.  He speaks to the man who saved him from Jenkins to ask where Maya is and is informed that he knows where Maya is. That's right, Maya is dead because she set off the explosion from inside the ship. The man tells Bram that he hopes Bram is as brave as Maya was because they are going to call her a hero and things are about to get real. Bram lays downs and cries.

Supernatural. Season 12, Episode 13: Family Feud

This is another monster of the week episode but a nifty one as it draws on some old plot lines and continues to peak my interest in one of the characters who has had some shifts lately

So the bad is a ghost killing teachers based in a museum which means it’s going to quickly rack up the bodies and quite gruesomely. The Winchesters drop in and do their investigating thing, looking for the ghosty artefact to salt and burn

In the museum they find a part of a sunken ship and its contents – it’s the ship Gavin Macleod was supposed to sail on from Scotland to the US

What Gavin has been doing wandering around the 21st century despite being several centuries old is a mystery

The Winchesters quickly seize on this and try to get hold of Gavin – Crowley refuses to help being extremely pissed at the Winchesters since he’s realised they failed to get Kelly an abortion to stop her giving birth to the Nephilim of doom – so they turn to Rowena.

These leads to a rather touching meeting between Rowena and the grandson she never met, securing his co-operation in identifying the ghost:

He was in love with a woman called Fiona way back when and she was determined to be with him when he fled to America. She stowed away on the ship and hid there: except, of course, he wasn’t there. Instead she was a woman on a ship with a reputation for chasing after a man: the men abused her and even the female teacher said she deserved it for being a slutwhorejezebel. In weird Supernatural ghost logic this turns Fiona into a force for death and torture against all teachers rather than against all rapists, misogynists or slut shamers (I suppose if she were the latter there would be less motive to remove her and more motive to send her amulet on a world tour).

Gavin tries to talk to her, but it’s been well established on Supernatural that spirits aren’t really things you can reason with (just look at Bobby‘s ghostly storyline).

So burn and salt the amulet which is her tether? For plot reasons the Winchesters decide they can’t because she may randomly be tied to something else? No real reason for this after all, she snuck onto a ship, it’s unlikely she’d have a huge number of possessions in that situation and we’ve only seen the necklace be the haunted object

Friday, February 24, 2017

The Magicians, Season 2, Episode 5: Cheat Day

Oh my god that rabbit

I can’t even begin this review, I’m just crying with laughter. I don’t even know why but the creepy pregnancy test rabbit?

Ok I can focus


*snerk* I don’t even know why this is funny to me.

Since I’ve mentioned pregnancy rabbit, let’s start with Elliot in Fillory who is reigning over the wrecked kingdom and completely obsessed over alcohol. Because of course he is. Then Fenn, his wife, arrives to announce she’s pregnant with his child (told by said rabbit). He pretends to be thrilled before someone tries to assassinate him. He’s part of a rebellion group, the Foo-Fighters who want Fillorian people on the throne and no more people from Earth. He kind of… has a point, to be honest. The country has been completely wrecked and is always ruled by clueless foreigners? Yup, vive la resistance!

It’s a terrible assassination attempt and Margot is quick to intervene. His courtiers decide that the assassin absolutely must be executed – including a psychotic sloth who is quite creative. Margot also notes their contempt for the peasantry with an awesome “if we’re the least snobby people in the room, there’s something wrong with the room”. So they hit the books and decide to do some research on how to deal with rebellions, eventually coming up with execution. Elliot decides to be all dramatic and insist on doing it himself – which Margot duly rocks in perfect Margot style

Y’know, every ruler needs a Margot to deflate their heads, stop them getting up themselves and occasionally advocate brutal practicality

Elliot changes his mind and instead decides to ask the Foo Fighter exactly how he would fix Fillory. A mature, compassionate choice, albeit rather na├»ve, since it acknowledges he doesn’t know a damn thing about the country or ruling and these people may actually have a clue. Of course this also means overruling Margot revealing that she may be High Queen but he’s still boss because of bullshit patriarchy. Which Margot also points out and hopefully she will point out more and more.

I also need to skewer the homophobic nonsense of Elliot’s “growth”. Left to his own devices? He obsesses about wine and ignores his kingdom. This is gay/immature/useless Elliot. Elliot + straight wife and new baby, Elliot in his forced straight life and straight family, MATURE Elliot is making hard choices and worrying about the kingdom and trying to make a better world – and this continues constantly through every episode and it’s toxic for all the reasons I’ve mentioned before

This may get more complex because it turns out Fenn knows the assassin and used to be a member – they assumed she was just trying to get close to the king but she’s thoroughly on team Elliot, father of her child now and has plenty of threats should he act up. But he threatens to tell Elliot of her former loyalties – especially since it’s well known the king is emotional and sensitive.

Because Magicans is subtle about its stereotypes guys.

Anyway, let’s move to Penny – his hands are still not producing magic and Henry, despite healing his own hands, can’t really do anything for Penny. But he knows someone who may help: Mayakovsky: our drunken, world hating Russian teacher who I always kind of loved.

The Walking Dead: Rick and his Fan Club

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There's never been any doubt that Rick is the protagonist of this show.  There are times that for whatever reason, the writers seem determined to drive home the White, cis, het able bodied male will save the world narrative and Hostiles and Calamities is just one such occasion. The white man will save us was laid on so heavily and enforced by one of the four black male characters that I found myself wanting to simply turn off this episode.  The racial dynamics at play seem lost on the writers who are determined at all cost to set Rick up for victory.

The Walking Dead has essentially erased race from the conversation as though a dystopian setting would suddenly bring up about the equality that is so sadly missing in our civilised world. In seven seasons, there have been two conversations about race. The first occurred between T Dog and Dale in the second season.  T Dog expressed his concern about travelling with two white police officers only to be quickly shut down by an incredulous Dale as though police officers abusing their authority to actively harm Black men isn’t a historical fact. This conversation only existed to affirm the goodness of Rick and, at the time, Shane.  T Dog’s legitimate fears were deemed meaningless because the purpose of shows like The Walking Dead is to have power coalesce into the hands of white men as though their leadership guarantees success for all. This is an abject negation of the fact that men like Rick have been the primary cause of violence, rape, starvation, physical brutality of communities of colour since First Contact.  

The second conversation was between Daryl and his older brother Meryl. After leaving the group for a time to be with brother, Daryl decides to return. Meryl makes it clear that he cannot go with Daryl because he “damn could have killed that black bitch and damn near killed the Chinese kid”.  Daryl simply replies to Meryl, “he’s Korean”, in reference to Glenn, before walking away. This moment is meant to stand out because it represents Daryl’s redemption train. By turning his back on Meryl and going back to Rick and the group he is signalling that he is choosing to live in a community rather than relying upon comradery based solely on a homogenous identity of whiteness. Darryl’s redemption train is short  because it is assumed that his racist beliefs are a victimless crime and that having seen the light that he should be afforded the benefit of the doubt. That this approach simply doubles down on the white supremacist attitude that the writers are trying to divorce Darryl from seems lost in the desire to offer a redemption to allow a popular character to not only rise in the ranks but to fully integrate as a trusted member of the group. It is a subtle dismissal of white supremacist beliefs by having them dismissed and ignored so easily

Darryl has made no apologies for his former belief system, there was barely even a nod towards them. It has simply been erased as though it didn’t permeate his formative years thus greatly affect his sense of self. Darryl’s moment of epiphany isn’t based on the morality as much as it is based in a need to survive in this new dystopian world. That it comes with a reward of increased status and the ability to be seen as valued is simply glossed over. It’s a convenient change of ideology that is both self serving and disturbing in its ability to erase the harm of white supremacy on communities of colour. Glenn is a friend and coupled with a need to survive, it now costs Darryl nothing to admit his humanity.

At very least it’s a rather waste of a storyline - actually having Darryl grow, change, confront his beliefs and understand the full impact of how terrible they were and trying to move on from that would have been an interesting, developed, character building and respectful way of not just adding flesh to some rather dull seasons AND respectfully addressing racism.

Race as an issue on The Walking Dead is either silenced or simply a part of the elevation of White supremacy.  The Walking Dead routinely divorces its characters of colour from any distinct cultural markers.  They don’t congregate at anytime to discuss how their experiences or situation might well differ from that of the white characters; there is no closeness based in difference, they barely interact at all. Surviving the threat that zombies pose along with the threat from out group individuals is used to tie people together.  Whatever disagreements may occur between individuals never come down to racial disharmony, they are always about something else.

Most recently, we’ve seen tension between Sasha and Rosita who represent fifty percent of the women of colour on this show.  It’s telling that the source of the antagonism between these two women is the very white and now dead Abraham. In Rock in the Road, Rosita makes it clear that she and Sasha aren’t friends and only slept with the same dead man.  Keep in mind that there are several men of colour on The Walking dead currently and yet 50% of the female cast of colour are grieving the death of a White man.  That these men weren’t even considered to be viable love interest goes a long way in The Walking Dead’s narrative purpose of setting up White men as the epitome of masculinity and desirability. Masculinity in The Walking Dead’s work is always hyper aggressive and is continually rewarded.

Thursday, February 23, 2017

The 100, Season Four, Episode Four: A Lie Guarded

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So much happened in this episode.  For me what stood out a lot are the parallel stories told about leadership. On one hand, we have Clarke, who is acting Counselor in Kane's absence and while Clarke is doing what she believes is best for her people, she's clearly conflicted about her decisions. On the Ark, Clarke hated everything about Jaha, but now placed in a similar situation, she finds herself seeing a sort of kinship with the man.  Then there's Luna, who has abdicated leadership in the past and now finds herself in the position to save all of humanity by virtue of the blood she actively seeks to reject.  Luna could be a leader but she clearly wants no part in it.  Roan, clearly believes that he was meant to lead his people and enjoys his power but is all too aware of exactly tenuous his position is.  Kane, is desperate to hold the shaky alliance together but is also desperate to hold onto his new found morality. Finally, we have Abby, who depends on science to save the day.  The 100, is offering us several different types of leadership styles and they are all to some degree sympathetic.  At the end of the day, what really matters is humanity being able to survive the coming storm. 

Let's begin with the return to ALLIE's little island.  It seems that Jaha informed everyone that there's a lab there where Nightblood was originally made.  Abby, Raven, Nyko, Luna, Murphy, Emori and a few soldiers head out with the hope of turning everyone into a Nightblood.  As they reach the markers, Emori stops, having never passed it before because to do was to break ALLIE's rule about mutants on the island.  It's Murphy who crosses first and extends his hand in support to Emori.  I really like these two as a couple, even if they are always scheming for the best advantage for themselves. 

The moment they get through the barrier, they are attacked by ALLIE's drones and have to take cover.  Nyko ends up sacrificing himself to stop Luna from being shot to death.  As the crew dives for cover, Luna takes the opportunity to disappear. Without Luna's blood -- this entire endeavor is pointless -- so they split up to find her. Abby heads off with Emori and Murphy, who discuss hiding out in the shelter that he was locked in the first time he came to the island. Murphy's only objection is that it's no longer stocked with supplies, even though it's large enough for two.  Raven is forced to stay behind because of her leg.  This is when Raven notices that the drone Jackson shot earlier is still active.  Raven tries to get to it but is chased back to the bushes. It's then Raven notices Luna making her way back to the boat.  Raven chases after Luna, and just manages to cross the barrier before being shot.  Clearly, Luna has had enough and thinks that humanity is just horrible, and therefore; believes that project save humans should just end. Raven manages to talk Luna down by reminding her of just how good Adria was and adds that there are other Adrias out there.  Luna helps Raven retrieve the drone and Raven shuts it down.  I really like that even though Raven's disability slowed her down that her skill at hacking served as a reminder of just how skilled Raven is. 

With the way no clear of drones, Abby and crew reunite and enter the lab.  It's all bright and shiny, causing amazement.  It's only then that they begin to wonder why ALLIE felt the need to have drones in the first place.  Exactly what was ALLIE protecting the lab from? Abby wisely advises Raven to get the drones back in the air as soon as possible. 

Things in Arkadia start off light and almost fun, but don't stay that way for long. Courtesy of Jasper, Jaha awakes to find himself floating on a mattress in the middle of the lake.  Jasper calls the peoples attention when Jaha awakens before calling out to Jaha that he's been floated.  It's a light take on the very real punishments Jaha inflicted when he was Counselor. It's also btw the last time that I didn't want to slap Jasper this episode.