Showing posts with label Anna Silk. Show all posts
Showing posts with label Anna Silk. Show all posts

Tuesday, February 14, 2012

Review of Lost Girl Season Two, Episode Sixteen: School's Out


The themes in this episode were mean girls, high school, bad bff's and of course the ever popular love triangle. After the threesome last week, it was quite clear that Bo had no intention of letting go of Ryan, and so it was hardly a surprise to find him in her tub sipping away at champagne. Despite caring for Kenzi enough to claim her as her BFF, she hides Ryan under the bubbles, and outright lies about ending her little affair.  To make matters worse, Kenzi even tells Bo that she doesn't want her to "lock up her honey pot," but believes that Ryan not only did her wrong, but is bad news.  If Bo even had the smallest amount of conscience, she would have come clean at this moment, instead of scheming to make sure that Kenzi didn't see Ryan, and rushing her out of the apartment as quickly as possible.

Lauren is back from her road trip with Nadia, and this of course is to remind us of the love triangle and to re-introduce some angst, in case you were missing it from the show.  Though Lauren has not been completely honest with  Nadia about her relationship with Bo, or her involvement with with the fae, Nadia clearly sees Bo as a threat, and gets super clingy in front of her. She acted quite like a dog marking her territory.  

Nadia's territory marking is interrupted by Dyson, who has a new case.  It seems that teenagers are suddenly getting extremely smart and then dying. This of course calls for the intervention of the local succubus and her bff. It is deemed that Kenzi has the inside track with teenagers, and she enrolls in the school undercover. Bo becomes a substitute teacher, and Dyson becomes a guidance counselor. For the rest of the episode, Dyson's basically reflect him drowning in teenage angst.

It turns out that there is a type of fae called atvans, who mature slowly and simply do not have the intellect of others. To counter this the procure a special egg from a smur, which increases intelligence.  This is highly illegal. Unfortunately, the eggs are deadly to humans, and so when Earl, one of the infected boys, kisses a girl, she has a quick increase in intelligence and then she dies. It is Lauren,  with a little help from the infected Kenzi who figures out what is going on.  Bo of course is terribly worried that Kenzi's brain will be fried forever, but I simply cannot take her concern seriously, when earlier in the episode Bo cast aside Kenzi's interest to do the dance with Ryan. 

Monday, January 30, 2012

SYFY LOST GIRL Q&A with Anna Silk & Ksenia Solo

We recently had the opportunity to participate in a teleconference with Ksenia Solo and Anna Silk from Lost Girl.  The entire transcript of the call is far too long, and so we will only be sharing with you what we deem to be the best questions and answers.

Renee Martin: Hi. Thanks so much for talking to us today guys.

Anna Silk: Yes, you're welcome.

Renee Martin: Ksenia, you get to say the most awesome lines, like “Dude, your junk could totally cure cancer.” So what I want to know - yes, I love that line. What I want to know is how much of your own personality do you bring into the role of Kenzi? And do you have any input in some of the great comedic lines that you get to say? 


Ksenia Solo: Yes. We have this amazing woman, her name is Michelle Lovretta, who created these characters. This Kenzi - just the role you know is the first thing that really attracted me to this project. And our writers are really fantastic. It’s definitely - we collaborate and we talk about everything, and we really have a say in our characters and who we are and what happens.

I’m not a brilliant writer. I wish I was. So I can’t take credit for these incredibly funny lines. But you know of course, I am involved and the writers listen, and I think that’s incredibly important.

And yes, I have a lot of fun. Kenzi’s definitely - I look up to her. I respect her. I learn from her all the time because she’s braver than anybody I’ve ever played. Her sense of humor is out of this world. And I wish I was as cool as her sometimes.

But I definitely have a ball with her because I get to come in to work and I really get to play. And it’s really not that often that you get to do that. You get to just kind of go as outside-the-box as you want. And with her I can really do that, so it’s a joy for me. 

Renee Martin: Thank you.

Anna?


Anna Silk: Yes?

Renee Martin: You often play straight man to Kenzi’s sort of wacky nature. Is there a chance in the future we’re going to see a little bit of that moving into your character? Because of circumstance, you always have to be so serious and the big, tough succubus.

So, I’m wondering if we’re ever going to see a lighter side?


Anna Silk: Tough succubus.

Renee Martin: Yes. That’s the way I think of your character as a big, tough succubus. Are we ever going to see a lighter side to Bo?

Anna Silk: We definitely a - yes. Definitely. I mean you know particularly towards the end of first season and going into second season. Bo is pretty new to this world. the fact that at the beginning of the series she finds out she’s not human. She’s a succubus. She’s part of a fae underworld. That’s a lot to take in.

So - and she’s pretty young in terms of her life experience, particularly in this world. She’s never really had a relationship before. There’s a lot of growth for Bo, and that’s one of the things that drew me to the role is that I knew that over the course of the series there would be so much room for growth, and that’s definitely something you see.

You definitely start to see Bo’s own sense of humor develop. More so in second season, but definitely over the course of the first as well because she’s getting a little bit more comfortable in that world and starting to understand her place in it. So you definitely see her start to enjoy herself a little bit more as well.

Ksenia Solo: And for all the people that don’t have the pleasure of knowing Anna Silk, I can say that she’s actually one of the funniest people I have ever met.

Anna Silk: Well, thank you Ksenia.

Ksenia Solo: So that will definitely come through and people will definitely enjoy it.

Renee Martin: I was wondering, with the way that urban fantasies - say ten years ago, there was really nothing on television, and today there is - you know there’s you, and there’s Being Human, and The Walking Dead. I was wondering what do you think there is about Lost Girl that makes it stand out from the competition, because it’s -  there’s just so much today.

Ksenia Solo: Well, I think...

Anna Silk: Well, I don’t - oh, go ahead Ksenia.

Ksenia Solo: No. No. Go ahead.

Anna Silk: No, you go.

Ksenia Solo: I basically...

Renee Martin: Like basically the one element we should all like focus on that would be the drive?

Anna Silk: Right. Right.

Ksenia Solo: I think Lost Girl is really a cocktail of many genres. I think that’s what makes it so cool. Because on TV you have like the cop shows, and then you have the doctor shows, and then you know whatever else. Usually it’s just one genre.

I think that the cool thing about us is that we kind of have all the best elements of TV in one. We have cops. We have doctors. We have drama. We have comedy. We have complicated relationships. We have sexuality. all these kind of...

Anna Silk: We have action.

Ksenia Solo: And action. That’s right. Yes. So it’s really just - it kind of satisfies all your senses at once, and I think that’s what really makes it stand out from the rest.

Anna Silk: It totally does. And I also think that - I don’t think I’ve ever seen a fae world or fairy world explored in this way on TV. all of our mythology is based in real mythology and real folk lore, and it’s an endless world.

So when we get new scripts every episode, we’re just like -  we’re learning something new and we’re just amazed at the new kind of fae we’re going to meet or how it’s going to you know effect our world.

And I think that for an audience to see that on TV is definitely something that really people gravitate towards and it’s definitely unique.

Renee Martin: Okay, thank you.

Anna Silk: Thank you.

Ksenia Solo: Thank you.

Anna Silk: Thank you.  

Friday, January 13, 2012

Syfy Lost Girl Q&A With Anna Silk, Zoie Palmer and Kris Holden-Ried

This week, we had the opportunity to participate in a phone conference with Anna Silk, Zoie Palmer and Kris Holden-Ried.  Unfortunately, the entire transcript is extremely long and so we are only able to share a few highlights with you.

Gary Morgenstein: Welcome everyone to the "Lost Girl" conference call. We're delighted to have the stars, Anna Silk, Kris Holden-Ried, and Zoie Palmer, who form a very interesting romantic triangle in this series, which has been a huge hit in Canada and premiers on SyFy Monday, January 16th at 10:00 right after the second season premier of "Being Human."

Zoie Palmer: Hello. Thank you.

Anna Silk: Thank you, yes.

Kris Holden-Ried:  Let's rock and roll.

(Renee Martin): Hello everyone. Thanks for talking with us today. As a Canadian, I have watched every single episode and every Monday morning I get the (Team Docubus) emails. So I have to ask Kris a question, I probably would be banned from (Tim Horton's) at this point if I didn't.  So my question is to Kris. What - Dyson is a very restrained character. There's always something about him that is just simmering underneath it all. And so, do you find this a challenge as an actor, because it has to come through with your body language rather than the lines that you're given to say, and also, I have to ask it, how much did you love getting the chance to pretend to be Kenzi?  We loved it.

Anna Silk: That's a big spoiler alert, just so you know.

(Renee Martin): I couldn't help it. I'm sorry. I had to do it.
Anna Silk: Of course. No, of course.

Kris Holden-Ried: Yeah, that was great. I mean we're talking about something in season two here. And yeah, season two is being a bit of a tough, tough pull for Dyson, and to get to play a different character for one episode was fantastic and especially Kenzi, who Ksenia Solo played so well, and who I'm lucky to have such a great relationship with, and she helped me out tremendously. We really teamed up to help each other out. And it was a great experience.

As far as your first question about the restraint, I think it's become something that's really inherent in Dyson, and part of it came out of a necessity of the way we shot first season, which was completely out of chronological sequence, so a lot of times we didn't know what we were going to have to do in the (preselect), we choose episode nine, and then episode three, and so sometimes we didn't know what we were going to have to react to. So you sometimes have to play this ambiguous sort of line.

Zoie Palmer: Yeah.

Kris Holden-Ried:  But also in my style of acting, I tend to internalize things more than externalize them, and that's just - and I think people pick up on stuff that - I mean we're such sensitive creatures that even if you internalize things, people pick up on them. And what I like about after my - the way I like to act is that I find if people are using their own imagination to put onto your character what it's feeling then often more authentic than me trying to demonstrate something, you know.

(Renee Martin): Thank you very much.

Anna Silk: Yeah, and there's been such an outpouring of support for the show. I mean people that follow us on Twitter and various things, they really are big fans of the show and really care about each character and each relationship.

And whenever I tweet, there's one girl in particular who always writes back within, usually a minute. Now if she doesn't I start to get worried about her. I think she's in France, and I was like, where is she? She hasn't written back. I start to get worried, because the response is so quick. It's really great.

Zoie Palmer: Anna (unintelligible) talking to fans is pretty much what she's doing.

Kris Holden-Ried: But what I also found, which is real interesting is not just of the characters but the fans through these media outlets really get in touch with the person who's playing the role...

Zoie Palmer: Yeah.

Kris Holden-Ried:  ...and can build quite the - I'm amazed at the power of a relationship that you can - 255 characters or however many Twitter allows you to write. I think it's something like that, because you know, about six months I've actually just like Anna said, I've gotten to know these people. I know exactly who's talking about it. And yeah, I told her I was worried about her too.

Zoie Palmer: (Smelly Cat), if you're out there, we love you.

Anna Silk: Yes, (Smelly Cat), we love you.

Reg Seeton: Can you each talk about the appeal of Bo and what you guys love about the triangle relationship as the season evolves?

Anna Silk: Did you say the appeal of Bo? The appeal of Bo, I mean since I play Bo, I don't know. I think that the appeal of Bo for me when I read the initial pilot was just how - I think she's - even though she's a succubus and she's not human and she's going to be thrown into this crazy world, she's really relatable. She's a very relatable character. She's intensely vulnerable and also has to sort of grow and find her way, and there's a lot of growth for her in the series.

And I think that that's sort of what, you know, having just talked to fans and just even myself, that's what I related to in her and that's what I found appealing was that she's strong and sexy and all of those things, but she's scared a lot of the times and vulnerable and has to figure out things as she goes.

And then the love triangle that unfolds that the (INs) gets introduced to in season one is pretty, pretty interesting. Anyone care to comment?

Zoie Palmer: You led us right up to the love triangle and dropped us off. The love triangle is, yeah, I mean it's just that, isn't it? I think that everyone who meets Bo, including Dyson and Lauren are sort of taken with her, for reasons that I don't know that - well, I mean I think Lauren is taken with her for reasons that I don't know that she can explain entirely. And she's obviously beautiful. You're beautiful, Anna.

Anna Silk: Thank you.

Zoie Palmer: But there's something about her, I think that brings - draws people into her, and I think that that's what sort of Lauren finds right away. And I think almost - I think it's a surprise that she feels that way, that that happens. I think she works for the Light Fae and she does her job and she's a scientist and then along comes this sort of creature, this person, this woman who does something to her, and I don't know that's she kind of sure what that something is, certainly from Lauren's side, anyway. Kris?

Kris Holden-Ried:  I think with Dyson it's pretty simple, you know, he introduces - got these - got this incredible cleavage - and no. Sorry.

Zoie Palmer: And end right in the cleavage.

Kris Holden-Ried: I think for Dyson, with the mythology behind Dyson's character has a lot to do with he's a protector. The wolf was - its entire job in existence was protecting its liege or its king, whoever it was assigned, and in Bo he sees an innocent but beautiful and vulnerable woman that he finds one, beautiful and fascinating, but also those instincts out in him.



And there's also some historical stuff behind Trick and Bo and Dyson that the audience will find out about that also sort of plays into this as well, but I think it's really kind of a deep sort of seated instinct in Dyson's want to protect Bo, and in doing so, he gets feelings for her.

Monday, December 19, 2011

Merging Names, Merging Faces in Urban Fantasy

Ever since Brangelina society has taken on the most irritating habit of combining names to represent couples.  What does this irritation have to do with urban fantasy you wonder?  Well, this trend has become quite popular in urban fantasy as well.

I give you:
Ian Somerhalder (Damon)

+

Nina Dobrev (Elena)


=

Delena


and

Taylor Lautner (Jacob)


+

Kristen Stewart (Bella)


=

Jabella


And

Nina Dobrev (Elena)


+

Paul Wesley (Stefan)


=

Stelena


And