American Vampire, Vol. 2 (American Vampire #2) by Scott Snyder, Rafael Albuquerque (Illustrator), Mateus Santolouco (Illustrator)

It's been about ten years since Pearl and Skinner last met.  Las Vegas used to be a sleepy little town but with the building of the Boulder Dam (Read: Hoover), Las Vegas has seen an influx of people. With drinking and prostitution now legal in order to amuse the workers in their off hours, police chief Cash McCogan wonders if Las Vegas well ever return to the town he was raised in.  When members of the consortium responsible for the building up the damn show up dead through exsanguination, McCogan doesn't have time to engage in a stroll down memory lane. The monsters have crawled out from under the bed and he is ill equipped to deal with them.

Once again American Vampire splits the story between Skinner and Pearl but in the section that deals with Skinner, the story is largely told from the point of view of Cash McCogan.  There's a part of me which is highly cognizant of the fact that Cash's story is predictable. Good guy finds out vampires exist and it doesn't end well has been done before but I found myself drawn in. I felt for Cash when he learned that his adopted father was a vampire all along and how it nearly shattered his world view. For all of Cash's life he has been lied to. I sincerely hope that we aren't done with this character. I want to know what he does with his vampire baby and if he seeks revenge against Skinner.

At this point, I believe Skinner to be just straight up evil which is actually a relief.  We've had an onslaught of anti-heroes recently, so it's weird to have a straight up evil protagonist who isn't troubled in some way or experiencing something which humanizes them to make people find the character empathetic.  There's absolutely nothing redeemable about Skinner. He kills for the fun of it, betrays his allies and is generally unrepentant about anything he's done.

The thing`about Skinner is that he keeps making enemies.  He seems to have more lives than a cat, making it that much more satisfying when the slightest thing goes wrong for him.  Because he is so unrepentant, it's easy to want to see him get his and I cannot help but think that when this series finally comes to and end, it will be with Skinner getting everything he has coming to him.  Pearl may not be actively chasing him, or ready to betray him because he is her creator but others have no such reason for loyalty.

Pearl's story is quite separate from Skinner.  She's settled into a happy life with Henry, but worries about the darkness in her soul.  She wonders if he's content with the life they are living given that she's pretty much immortal and he only has so many days in front of him.  For his part, Henry thinks about the day he will ask Pearl to make him like her and is certain that when it's time to make that decision, he doesn't want to make it from a position of fear.

American Vampire, Vol. 1 (American Vampire #1) by Scott Snyder, Stephen King, Rafael Albuquerque (Illustrator)

The first volume of this story moves between the 1880's and the 1920's. It begins in the twenties with the story of Pearl, a young aspiring actress living in Los Angeles.  In between picking up bit parts in movies, Pearl works several odd jobs to make her rent.  When she gets a big break - an invitation to a party by a successful director, Pearl believes that her hard work has finally paid off and that she's going to get her big break.  Pearl's gets a break alright but it leads to the end of her human life.

Volume One then takes a step back to look at the life and death of the infamous outlaw Skinner Sweet.  Just as his last name implies, Sweet, loves candy and he combines this with his love of robbing banks, violence and sleeping with prostitutes.  Sweet is not even remotely at this point an anti-hero, let alone all around good guy.  

Sweet is Pearl's sire but the connection runs a lot deeper than that.  Because they are both a new breed of vampire, the sun has no effect upon them and the old guard, (read:European Vampires) want them gone.  Sweet and Pearl represent a contamination of the blood and if that were not enough, this so-called contamination means that no one knows what they are vulnerable to. Sweet and Pearl absolutely have a target on their backs but the tie that binds them is deeper still even if it is ridiculous.

Volume one is written by Scott Snyder and Stephen King and the difference in the writing is evident from the start.  Clearly, King wanted to step away from vampires that sparkle. One guess as to who?

It's hardly surprising given King's very adamant dislike of Twilight, based in the idea that it's "tweenager porn" and his belief that Stephanie Meyer "can't write worth a darn".  It feels as though Sweet's story is an absolute refutation of the sparkly vampire.  Sweet is most certainly not a vegetarian and he glorifies in violence.  He works his own agenda and simply cannot be tamed.  It's clear that Sweet is not a man to be taken lightly and certainly not a man to run into even casually. He is bound to no one and serves his own end. In fact, the creation of Pearl is about the only good thing that he does in this volume and it's clear an ulterior motive exists for this action.