Disarming (Reign of Blood #2) by Alexia Purdy

April has her hands full in the dystopian ruin the world was left in by the plague and the rising vampires – especially with her family traumatised and falling in tatters after being kidnapped in the last book. She certainly doesn’t have time for romance

But when she hears of a potential city of survivors managing to hide and thrive away from the vampires, she has to check it out. Alone if she has to.

I finished this book feeling dissatisfied – and I don’t think it was down to the world building (which is a fairly decent dystopian zombie apocalypse with vampires holding the zombie spots with a few unique little additions) or the characters (though I can’t say any of them thrilled me). It was primarily down to structure. I feel like there were a number of story-ettes that were started, kind of wibbled around a bit, and then shuffled away sort of embarrassed. Kind of like a chorus of singers who suddenly realise they can’t remember the words. I think a lot of that comes from the author having an idea of how they wanted the book to end, but not entirely sure how to get from the end of the last book to that point. Which, in turn, may have been because the last book felt like a stand alone (I was actually surprised to find this book existed) which has now been stretched into a series.

Take, for example, the romance at the end of the last book – April and Rye have fought together, done the standard “I cannot be with you but I love you so much” and sealed the deal with the magical-bond-of-insta-love-because-who-has-time-to-develop-relationships. Done, closed storyline (ok, they could actually develop a relationship but that really goes against the All-To-Common-Template that says getting your love interests together is HAPPILY EVER AFTER). This book starts with the two separated (though still drowning in endlessly descriptive sexual tension and moping and lots of “so hawt I wish we could be together”). The reason presented – that April feels the need to focus more on her family after they have been through the traumatic experiences in the last book – is certainly very reasonable but isn’t carried by the story because April doesn’t do that. She has some torn inner monologues about her mother but quickly abandons them in favour of exploring her newest curiosity

So it feels convoluted – like this couple needs to split up for the plot (or not be a done deal), so they’re split up. Here’s an excuse – but it’s a half-assed one that isn’t followed up.

Reign of Blood by Alexia Purdy

The world as we know it is over, civilisation has fallen, mankind is almost annihilated. In fact, April, her mother and her little brother, hiding in a bunker outside of Las Vegas, may be the last human beings on the planet. The city and the night has fallen to the vampires – monstrous, feral creatures that swarm in the cities and hide from the sun, giving brief respite in which April and her family can scavenge for supplies.

Until her family is taken from her and, in her quest to find her loved ones and the only other humans that are left, she stumbles onto a whole new type of vampire she never imagined existing.

A combination of a zombie apocalypse and a vampire story, this world has so much potential. Humans stalking through the slowly mouldering cities for supplies, avoiding dark places, knowing they have to return to safety by sun down. Watch out for movement in the shadows, stay where it’s sunny and if you see anything lurking in the darkness… don’t meet its gaze.

Is this not an awesome concept? I think I could very much love it. For some reason the idea of sinister marauding vampires taking over the city during the night is far scarier than zombies taking over everything all the time. Just that constant “get home before the sun goes down” pressure.

There’s also some interesting side musings – the usual things in a dystopian like missing luxuries and necessities but she also makes a point to talk about things like missing toilet paper – the basics we have every day but don’t consider luxuries but would surely miss. She also goes down an interesting path of considering things she doesn’t miss – like how her priorities change and she no longer has to concern herself with clothing or appearance –and then being plunged back into society and flailing to think about them.

We have the interesting contrast as well between April’s personal goals – her desperate need to reunite with her family, perhaps the last people on Earth – but also a, perhaps, higher goal to help the hybrids and be the saviour of an entire people. The balancing of the desperate personal need with, in some ways, the greater community good is a harsh and difficult contrast and choice to make.  And that’s before we get April’s very well presented trust issued (before the woo-woo romance anyway)

Unfortunately, there’s a lot of the writing I’m not a fan of. It’s very repetitive – we’re constantly told how hot or cold it is (and since the book is set in Las Vegas it’s not like there’s a lot of interesting weather options here). We’re told about vampires in buildings avoiding the sun – which is fair enough world building, but it doesn’t really need repeating. Or she tells us she needs to  clear out shops before stocking up on goods – even if we couldn’t have inferred that from her actions, we didn’t need to be repeatedly told

There’s also odd statements about that are pretty redundant – like her machete being perfect for close up fighting. It’s a machete, how else are you going to fight with it? Throw it? Also, some purpleness creeping in – like turning on her flashlight and it’s beam “caressing” what it illuminates. I feel quite cheated, no torch I have ever owned has caressed anything. And when a vampire grabs her it’s the “cold grip of death.”  And vampires don’t drain her blood – they “sucked my life’s elixir away”. One character manages to watch her with a look of contempt and respect on her face… what would that facial expression even look like?

And some of the dialogue is just… not great.

“You’re in the wrong place at the wrong time; I will make you pay for what you have done to my family.”

“I have been watching you, seeing what it is you seek.”

Yeah, not great. Seek? Unless you’re a D&D games master, who uses the word “seek” in daily conversation?