Anita Blake has been called out to an animating job in
Branson, far away from her usual connections. But she’s the only one in the
country who may be able to do it – raise an entire graveyard full of 200 year
old bodies, preferably in one night.
As if that weren’t a big enough problem, the motivations of the parties involved is far from clear – and the presence of fae magic in the graveyard, and faeries willing to guard it, raises many more questions.
And there are vampires running amok – as the
neighbourhood vampire expert, Anita is called in but the local police are far
from welcoming. The resulting lack of communication is beyond difficult when
there seems to be 2 separate vampire killers.
Negotiating with the local vampires, of course, requires
getting further involved with Jean-Claude and he never keeps anything simple
Like in previous books, this has several storylines
intertwined – but also like the previous books, they all come together. From
her original job to raise the graveyard, to the vampire death, to the serial
killer all three plot lines are paced really well. If I had a slight criticism,
it would be that her job to raise the zombies was put too far on the
backburner. It was her actual reason for being in Branson in the first place
and it seemed extremely low in her priority list. I can understand that since
she was dealing with serial killer cases, but I’d have least expected Sterling
or someone to ask where she was and what she was actually doing while they were
paying her to complete a time sensitive project. Still, it was understandable
given the circumstances and doesn’t bog down the story. I really like how all
three storylines come together, how they’re all linked and make up important aspects
of the whole – and can all be handled in one big finale that doesn’t feel
contrived.
Having read both the books before and the books after
this one, I’m left with the feeling that this book is vaguely filler. Because
they’re pulled out of St. Louis we’re not advancing a lot of the plot or
relationships. And the creatures in this book are fae. Now, don’t get me wrong,
I like fae in a book, they’re some of my favourite supernatural beings. But the
fae here appear briefly, with precious little foreshadowing or depth, do some
shiny stuff then disappear again, never to be heard of again. Short of giving
Anita an extra-special shiny vampire to kill, I’m not sure what the point of
the fae even were – and a powerful master vampire could probably have filled Xavier’s
spot just as well. Because of that, I don’t think this book added anything to
the world building – while technically introducing whole new creatures, it just
doesn’t fit the overall theme and shape of the series.
We had some development of her relationship with
Jean-Claude, but it was mainly her letting him closer to her more than
anything. Still there’s closer connections and we also see some more fleshing
out of Jason as he grows further into the full character he will become. But
largely that’s all it is, we don’t get especially new insights into either
characters and they’re mainly around more to show that, yeah, they’re around
more.
I’m still all kinds of uncomfortable with how the relationship
between Jean-Claude and Anita began. He constantly ignores her “no” and keeps
pushing. Then she forces her to date him by threatening Richard’s life (because
she has to give him a fair chance to seduce him? Why does she?) and then we
continue with the constant boundary pushing regardless
Finally, there’s an ongoing issue with how Anita relates
to other women. Other than villains and victims, Anita deals with 2 women in
this book – Dorcas Bouvier and Sergeant Freemont. And in both cases Anita strikes
sparks. It’s like strong willed, independent women have territories that need
to be defended against other women like them. She had a similar worry in
Lunatic Café when she saw Deputy Holmes – she could be a friend or, equally as
much, they’d hate each other and this is before she even spoke.
Both women were also aggressive and hostile for little
reason – or they overreacted in an aggressive manner with little provocation in
a way that made Anita seem almost clam. It’s a strong case of Keillie Independence.
