Showing posts with label greg van eekhout. Show all posts
Showing posts with label greg van eekhout. Show all posts

Tuesday, July 14, 2015

California Bones (Daniel Blackland #1) by Greg Van Eekhout


Like his father before him, Daniel Blackland is an Osteomancer (someone who attains magic by ingesting bones)  At the age of 6, Daniel's father fed him his first set of bones hoping to make his son strong.  It is a strength Daniel will need in days to come if he is stay alive.  Daniel remembers all to well the sound of the Hierarch eating his father.  Until now, Daniel has focused on staying alive but now that he and his crew are tasked by his crime boss Uncle to break into the area where the Hierarch keeps his collection of magical bones, and a sword fashioned from Daniel himself, it's going to take every ounce of magic to Daniel has to survive.  

In many ways California Bones could be described as a dark fantasy.  Some scenes are gritty and horrifying like when Daniel's father becomes a meal for the Hierarch.  What Daniel remembers most is the sound of the Hierarch chewing.  That one detail gets repeated several times in the novel and it never gets less creepy.

Van Eekhout does a great job setting up the Blackland universe and the rules of magic are clear and easy to understand.  I love the idea of magic evolving from the bones of animals - sometimes even mystical animals because it invokes powerful imagery.  Every time Daniel invokes his Kraken magic, I found myself picturing the mystical beast and what powers it might have.  

That said, one of the major problems with this book is that part of it really feels dialed in.  For instance, Daniel gets tricked into pulling a job for his criminal boss uncle. How many times have we seen the "good guy" forced to work for a bad one to get the end result he needs or to save someone close to him?  From the beginning, there's never a doubt that the uncle will betray Daniel and lead to an escalation of the problem.  It means there's no twist to figure out; it's all so very obvious. 

I also found that Van Eekhout really needs to show and not tell in his work.  In California Bones, we are told repeatedly how tight Daniel's team is and how they would do anything for their fearless leader.  Each of them can benefit if the job goes well but apparently, the reason they all say yes is because Daniel asked them. A tight knit group breaking into a government vault makes sense and I don't need to be hit over the head with how close they are.  In fact, what Van Eekhout should have done is given us examples of them displaying their closeness to each other, caring for each other.  Van Eekhout barely pulled back from this by creating woo woo reasons for the teams loyalty to Daniel but it didn't make up for the constant reminders about how close the team is without an evidence to back it up.

Friday, November 23, 2012

Review: Diverse Energies Anthology

by:  Ellen Oh, Greg van Eekhout, Cindy Pon, Rajan Khanna, Ursula LeGuin, Melinda Lo, Ken Liu, K. Tempest Bradford, Daniel H. Wilson, Rahul Kanakia and Paolo Bacigalupi



This is a book of several YA dystopian short stories that aims for diversity. Much of YA, of speculative fiction and definitely dystopia is extremely white washed and made up entirely of straight people. GBLT people are, largely, dead and POC and women frequently take a back seat to the noble straight, male lead. It’s refreshing to see an anthology of short stories that focus on minorities.

I’m going to sound all kinds of fluffy but I have to say I would have appreciated a happy ending or two. I know, it’s dystopia and all, but only a couple ended with what could be considered actual happy endings and I do so hate ending on a downer. Overall the book is gritty and dark and sad. But, at the same time, more realistic for it. These are not kids who manage to reach inside themselves and change the world, these aren’t kids who manage to heal all the wounds and these aren’t kids who change the system, lead the revolution and make the world a better place. They aren’t even kids who can escape from their conditions and live better lives – sometimes just surviving is an achievement in these worlds. Which is realistic but… well, grim. The Last Day by Ellen Oh, a story of World War 2 Japan, where Japan didn’t surrender after Nagasaki and Hiroshima – and more cities are wiped out is among the darkest you’ll ever read.

And there’s nothing wrong with a bit of grim here and there, but it does have a different light on the escapism. I do think one of the best stories in this light is Gods of the Dimming Night by Greg van Eekhout where the protagonist refuses to leave his family and become a hero fighting in Ragnarok, instead choosing to bring his family money for power and food.

My main complaint will always be that these are short stories. I’m not a lover of short stories – I feel that they really don’t have the chance to develop themselves. And I think that’s especially true of this book which has 11 stories crammed in there – that’s 11 with a foreward and afterward and it’s not a very long book. Some manage to elegant encompass the entire story in the short story format: Good Girl by Melinda Lo with a tragic love story in a dystopian world obsessed with racial purity. Pattern Recognition by Ken Liu, a story of a rich western corporation exploiting poor POC children to be used as computers. What Arms to Hold by Rajan Khanna is another beautifully tragic story of POC children being used as slaves in the mines, his escape rather than being used as a tool for the revolution. No, it doesn’t end with a resolve but, realistically, there is no good resolve that would come. It has a bittersweet closure of its own.