Showing posts with label lewis caroll. Show all posts
Showing posts with label lewis caroll. Show all posts

Wednesday, July 30, 2014

Alice Through Bloodstained Glass by Dan Adams



Alice was a normal girl in a normal world, without a concern beyond looking after her little sister and the heavy summer heat

And then the infected appeared. Ravenous zombies determined to eat everything in their path until nothing was left alive. In the first wave destroyed so much and left her with no-one to trust, no-one to rely on

Only herself, her anger and her will to survive.




I can see what this book is trying to do. I can see it trying to mash up Lewis Carol’s Alice with a gritty zombie apocalypse. I can see the attempt to meld the whacky and surreal with the dark and awful. Whimsical meets horrifying. Quixotic meets macabre. Outlandish absurdity meets cruel reality.
It was going to take the characters and concepts of Alice Through the Looking Glass, even lift entire chunks of Carrol’s dialogue and twist it into a desperate, gritty, horrifying fight for survival against the undead horde with lots of gore and loss

That’s a pretty tall order for any book.

And in places this book almost approaches it. I was amused by Catherine Pillar and her zombie killing magic mushrooms. Hare and Hatter weren’t too bad.

But that, sadly, is the limit of what it does manage it. Everything else – the Duchess, the Red Queen, the Cheshire cat (ye gods that was poor – a guy who grinned called “Chez” wasn’t enough, you have to actually have someone say he grinned like a Cheshire Cat? What’s the point of a melding/homage if you directly reference the source material like that?) was terribly convoluted or jarring. It didn’t work, it didn’t work at all.

It wasn’t silly enough, surreal enough or funny enough for the Lewis Carrol elements to work. The imported dialogue was clunky, grossly out of place and felt less like a homage and more like the author had hit their head – or the characters had. The references where either twisted sufficiently into the setting as to make them little more than a name or a reference (like the Mock Turtle or Gryphon) or so grossly out of place as to just break the whole scene – like the Queen of Hearts and her headchoppy silliness. This could work if it were more silly, if it were more absurd and ridiculous and laughable. It could have worked – but it wasn’t. The story wasn’t surreal enough to be intentionally ridiculous – it ended up just being plain ridiculous.

The same goes for the grittiness. We have the gore and the grief and the desperate battle for survival. We even have Alice who could be an interesting character – losing a beloved family member very early in the zombie apocalypse she is consumed by grief, guilt and hatred for the one she deems responsible for the death. She then goes through a series of traumatic disasters, sees groups form and die very quickly on the very first day. It’s actually quite realistic how it would happen – as she is a desperate fleeing survivor multiple times as various people try to come together only to be destroyed over and over again.

Saturday, April 5, 2014

Once Upon a Time in Wonderland: Season 1, Episode 13: And They Lived...



The spell is finished – Amara squats by her son, ready to resurrect him as she is now one of the most powerful sorcerers in the world (with Jafar). Which involves turning her back on Jafar – which is damn foolish

Jafar refrains from killing when his dad arrives and tells him to stop because Jafar has super-epic, legendary daddy issues. The ex-sultan makes a plea for mercy which, it has to be said, is rather rich from the man who tried to drown his child. Jafar’s not impressed and uses his magic to finally claim his dad’s love. His father proclaims his love and devotion for his child – and then Jafar reals the second half of the plan; having secured his dad’s love he will then kill him so his dad can know what it’s like to be murdered by someone he loves. He then drowns him

Epic epic EPIC daddy issues. Y’know, all this seeking power has ended rather anti-climactically.

At least Jafar’s little act of patricide gives Alice, Cyrus and Amara chance to escape – by carrying him until they find a carpet to enchant. They flee to the White Rabbit’s burrow where Amara uses her magic to heal Cyrus. Introductions made, Amara announces that now they have to take down Jafar.

Jafar goes to hunt the Jabberwock with the Vorpal blade – because now he fears nothing. He stabs her with the sword (she’s apparently lost her teleport/super-speed ability) and pins her to the wall, imprisoning her.

Next he summons the Knave and tells him he’s brought Anastasia back from the dead! The Knave is overjoyed – except the catch is Jafar’s also used his magic to make Anastasia fall in love with him. Yes, Anastasia now loves Jafar – in a twist that is extra rape-tastic. He also decides to raise an undead army.

Amara’s plan is to return the water to the Well of Wonders, undoing the genie curse, removing the spell and her and Jafar’s super powers. Alice, not realising that Anastasia is back, protests that they promised to try and bring Anastasia back but Cyrus is on Amara’s side – they risk losing the Knave if they launch an outright magical war against Jafar. So new plan – Cyrus and Amara return the water to the well while Alice gathers an army to take down Jafar (he’ll still be a wizard even without super-god-power).

Jafar makes a stirring speech to his army – so they may be back from the dead but they’re not zombies – sending them forth to hunt Amara.

Alice delivers a much soggier speech to her army (that the Rabbit has recruited).

The first battles begin between the different forces - Amara isn’t much delayed – but Cyrus decides Alice won’t stand a chance without magic and, yes, she is defeated and captured and dragged before Jafar to be tied to the furniture. Jafar wants to know where Amara is and rather than use magic to read Alice’s mind or force a truth spell (hey all powerful and all that) he threatens Alice with going back in time and changing the past – making it so Alice and Cyrus never met.

Saturday, March 22, 2014

Once Upon a Time in Wonderland: Season 1, Episode 11: Heart of the Matter




Cyrus enters the Caterpillar’s den looking for the Lost and Found – his mother’s enchanted compass that can help him find anything that he traded to the Caterpillar for the invisible tent. The Caterpillar is willing to give him the compass – if Cyrus brings him Alice and the Knave since they owe the Caterpillar as well. While they’re talking, Alice, shrunk all tiny goes sneaking around looking for the Compass. As a distraction, he starts a bar fight by stealing someone’s drink so he and Alice can leave easier

Swashbuckling Cyrus with the cheeky smile is much much more fun than last week’s Soggy Cyrus with the endless moping.

In the palace, Jafar begins the ritual with the 3 genie bottles, shaking the whole building and alerting Anastasia and Jafar’s father – Anastasia makes a comment about magic in the wrong hands

Yes that’s a lead for a flashback – Anastasia first meeting the Tweedles before her marriage (Tweedles is a job description, in Wonderland the servants don’t have names, just purposes) and she greets another queen – Cora.

Yes, Once Upon a Time Cora, Regina’s mother Cora.

Cora is surprised to be invited because the Red King doesn’t like her – she puts it down to him being threatened by her (and she shows off her impressive magic). The King doesn’t like magic because it separates them from the people (uh-huh, your kingdom has a tradition of not bothering with servants’ names – I don’t think it’s magic that separates you) while Cora thinks magic is just a tool to help rule. She identifies with Anastasia because of her own humble beginning. She calls her own daughter a disappointment (which one? Or both?) and would like to teach Anastasia. But Anastasia would rather not begin her marriage lying to her husband

Back to the present and Cyrus and Alice struggle to get the compass to work to find his mother when Anastasia’s Tweedle arrives with Anastasia’s warning. Of course, they don’t run as warned and instead want to sneak into the palace.

At the palace, Jafar’s spell doesn’t seem to be working (as the Jabberwock helpfully points out) so he summons the Knave. Oh Jafar, you can’t even bandy words with your dad, the Knave’s sarcasm is more than a match for you. Anyway, the Knave is resisting the spell, somehow. Time to unleash the Jabberwock – and the Knave continues to banter, because he’s so good at it. He’s immune to her as well – he’s protected. They assume by Anastasia.

Flashback again – to the Knave sneaking into Anastasia’s room before the wedding, begging her to tell him it’s all a scam to steal the wealth and run, that she still cares for him. She says she does – and this is totally for both of them. Honest. He asks her to come away with him – and tells her where to meet him as he runs ahead of the guards. All overheard by Cora.