Tuesday, June 19, 2018

The Originals, Season 5, Episode 8: The Kindness of Strangers

The Mikkaelson family has all been trapped in a magical fascilime of their house. It’s full of memories because Klaus goes the extra mile with a super super super angsty voice over

And it is the whole family because Kol beams in (naked. Alas he doesn’t stay that way) and so does Rebekkah. They’re quickly joined by Freya and Marcel so it’s a whole angsty reunion

This could be one hell of a reality show.

They know a witch is messing with them and originally think it’s Vincent since he’s the only witch who has been around their home long enough to be able to recreate it this way. Except Marcel reveals it’s actually Hope who did this - and she dumped him in there as well when he tried to stop her. Her plan is to put all her family into comas and then pull out the magical darkness that keeps them separate

Flashback: remember the last season with a weird Native American demon girl who was trying to possess Hope for all the evil power. They solved this problem by splitting the Darkness between the whole Mikkaelson family so they could all go their separate ways.

Well last week Hope was determined to make “Always and Forever” (family drama, always and forever”) real again. Despite it being such a very very very bad idea. So she’s taking all that darkness back, which is a really really really really, oh dear gods, really bad idea. The whole of the last season was about stopping this bad idea.

Kol also realises that Hope had help -because one of the rooms in the dream house didn’t actually exist for the last 100 years so Hope couldn’t have seen it. He accuses Freya because he remembers once taking her to that room (wait, wasn’t Freya a prisoner of their evil aunt and the rest basically forgot she existed until about 3 years ago?)

Anyway turns out Freya is helping Hope because she promised and also because she doesn’t think the whole “you lot need to stay apart” thing is ever actually going to happen. Ever. Because they’re all just so completely co-dependent that they’re absolutely incapable of staying apart even if they will literally kill every first born in the city. And finally, since Hope has just lost her mother she can’t possibly lose her dad as well with this enforced magical separation and become an orphan and possibly super emotional and likely to burn the city down because she’s just that powerful and the Mikkaelsons just don’t deal with grief or, well, emotions, in a sane and mature fashion. Ever.

Freya also savagely points out she knows what’s best for Hope, not Klaus, despite his angry demands that his father-ness gives him the power, because he hasn’t been around due to a) curse and b) that time Hope saw him murder people and he decided it was best to freeze her out of his life because he’s just too much of depraved monster angst angst cry angst murder angst cry murder.

Freya leaves him to that and zaps out

So, back to the mystical prison: there’s a door for them to leave but all of them have to find a key to open it. Each of those keys is hidden somewhere significant to Hope and the respective dad, uncle or aunt and will allow lots and lots and lots and lots and oh my gods lots of angst from the most over-emotional family in the world.

Monday, June 18, 2018

Siren, Season 1, Episode 10: Aftermath

It is now time for the… rather disappointing finale to what I have to say is a rather disappointing series

As a season finale, it’s especially odd because all the action happened last episode. We’re now left clearing up a lot of storylines… which isn’t a problem if we actually had storylines that were hanging. Or if we cared about any of them. So the whole last episode feels like an afterthought of belatedly remembered characters doing stuff that doesn’t matter a whole lot - or is shoe-horned in for desperate plot hooks for the next season

So, Donna is injured and they call in Decker to help. Decker does his medical know how but it becomes increasingly obvious he’s utterly obsessed with Donna because of her song. Helen has no time for his nonsense and Ryn doesn’t mince words in making it clear that Donna only sang to him to help her escape, not because she even remotely liked him.

Decker tries to appeal to Ben - but that doesn’t win him any sympathy either. Unshockingly. He heads to the water for a suicidal swim: so that’s the power of siren song.

Maddie arrives to confront Ben and she’s duly furious with Ben. Ryn tries to defend Ben’s actions because he tried to help - except Maddie has an awesome come back that the didn’t help. And it may be worth putting up with this whole series for that line alone. Yes he tried to help - but he failed dismally, he didn’t help, he put them at risk and all the while completely ignoring Maddie while he ran off doing his own random thing. She further confronts Ben about his change of behaviour - because he’s changed, he’s freezing her out, he doesn’t consult her and he won’t talk to her

Obviously the effect of Siren song, because the suicidal Decker isn’t the only one who has heard their music.

But that goes to one side because Decker doesn’t succeed in healing Donna - and she dies. Which is tragic and annoying because it’s a damn waste and manages to make the utterly terrible racial tropes that have dogged this show even worse. Not only do we have the animalistic mermaids of colour compared to the human Ryn, but now Donna dies without any real characterisation of her own beyond “victim”. Of course, this also follows Decker’s death as well.

Maddie and her dad better watch out

There’s some question about what to do with the body - and Helen offers her secret family burial ground. Ryn isn’t keen about Donna being buried with humans - so Helen reveals she’s a mermaid

Y’know this may be the most blatantly obvious shock revelation in any show I’ve seen so far.

Sunday, June 17, 2018

The 100, Season Five, Episode Six: Exit Wounds

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At the end of season four, everyone had been split up in order to survive primefiyah. Now that everyone is back together again, or at least all on earth and above ground, the fissures created by a six year divide are no longer deniable.  Even Bellamy is forced to admit that Octavia is no longer his sister.  Yes, the Blake siblings have had their issues over the years but with Octavia becoming so powerful, even Bellamy is not safe from her wrath, nor does he seem to have much influence over her any longer.  There was a time when you couldn't slide a piece of paper between these two but that time is long gone.  Octavia has undeniably become a ruthless dictator under the guise of keeping her people together and safe. 

For much of The 100, Clarke has acted on behalf of Skaikru, making the hard decisions in order to save as many lives as possible.  Skaikru is long gone now and all that she has left is Madi.  Madi as we have come to see in the passing years has become family to Clarke and her top priority.  For her part, Madi has completely lost herself in all of the stories that Clarke had told her about her people and is so naive, that she doesn't really understand that these stories no longer reflect who these people are today.  Octavia is so much more than the girl under the floor, she's someone to be feared now. It all comes to a head when Niylah discovers that Maddie is a nightblood.  Niylah and Clarke may have history but Octavia has made it clear in the intervening years that one is either Wonkru or Nokru.  Niylah's allegiances lie with Octavia and she promises that if Clarke comes clean that Octavia will show mercy.  After witnessing Octavia's brutality first hand, mercy is not something Clarke trusts as something Octavia is capable of anymore.

It becomes clear just how closely Maddie has been listening to Clarke when she decides that rather than fleeing and returning to the Valley for the sake of her safety, she reveals her true identity to Octavia. Maddie is clearly way out of her element and is acting with hopeful naïveté. Maddie confesses because she knows it's not safe for Clarke in the valley. This is actually something that Clarke would have done on behalf of Skaikru in the past.  For her part, Octavia identifies with Maddie because she too was forced to hide and so she makes her part of Wonkru.  At this point, I can see how Octavia identifies the similarities between herself and Maddie but I don't know that it will be strong enough to save Maddie from the actual threat that she represents to Octavia's rule. Sure people are loyal but many are only loyal because of fear and lack of options, not because they believe in Octavia. 

Bellamy does his best to argue for Echo's safety but Octavia is having none of it. Octavia orders Echo banished but does agree that if Echo turns in people who are unloyal that she will be allowed to stay. Sure enough, as Echo begins to pack her bags, members of Wonkru show up and ask to travel with her. They are sick of Octavia's heavy handed leadership and would rather take their risks with the outside world than live another day with Wonkru.  Proving how much Echo has changed, she refuses to turn these people over to Octavia to save her own life and instead offers to infiltrate the Valley as a defector and shut down their eye in the sky.  Octavia agrees to this plan but warns Echo that if she gets caught that no one is coming to save her. 

Echo leads a few defectors away from Wonkru, taking Diyoza's offer to take in any of Wonkru who choose to come and live in the Valley.  For Diyoza's part, it makes sense to take in people because they are going to need farmers and tech people in order to make a life in the Valley workable. Echo makes her bid for freedom but Octavia does not keep up her end of the bargain and has Miller shoot at the members of Wonkru who are trying to escape, much to Bellamy and Clarke's horror.  Echo helps a young woman along and when she gets shot, she slips the chip she needs to take down the eye in the sky in the wound. Bellamy is shocked that Octavia would go as far as to kill her own people but it seems that by leaving -- as far as Octavia is concerned -- they were no longer a part of Wonkru. Octavia also tries to justify her actions by saying that this makes Echo's escape more plausible because Diyoza would never have believed that she would have just let people go. At this point, it's clear that Octavia is just used to explaining away the evil that she does in the name of Wonkru.

Saturday, June 16, 2018

Somebody Tell Aunt Tillie We're In Trouble! (ToadWitch #2) by Christiana Miller

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After being possessed by ancestors who were up to no good, Mara's now pregnant with a witch, possibly demon child.  Mara may want the baby but that doesn't mean Paul, her boyfriend who is struggling from post possession disorder is on side. If that were not enough, Gus, the man that she can always count is obsessed with the remains of Lord Grundleshanks - a deceased magical toad. Aunt Tillie knows that things are about to go desperately wrong but can Mara figure it out in time to saver her best friend?

Somebody Tell Aunt Tillie We're In Trouble is the perfect book to pick up to relax on a beautiful lazy S afternoon.  It's light and it's fun and an extremely easy read.  Don't go into expecting anything earth shattering and you should have a good time with it. 

Miller did more world building in this second outing for Mara and Gus and we learn that Devil's Point is actually quite aptly named.  Sure, living on top of a hellmouth means that Mara and Gus can work magnificent spells now but maybe just maybe there's a reason there are limits to a witches powers.  Even though Mara and Gus have only recently gotten over their latest bit of trouble with the supernatural, Gus's stubbornness means that they are full steam ahead because after all, rules are meant to broken right? 

What makes this book interesting is the constant bickering between Gus and Mara.  They are like wild siblings who love each other but cannot seem to stop snarking. I love that Gus completely supported Mara's choice to keep her baby and even offered to step into the role of father figure in place of the deadbeat Paul,  even though Gus constantly wishing for a boy was somewhat irksome to me. 

I really want Gus to have his own life separate from Mara. As it is, he's already picked up his life and moved to Wisconsin because Mara did. Then there's his obsession with every morsel of food Mara puts in her mouth barbecue she's pregnant. It's a stark contrast to Mara's assertions about her body. Throwing out all of Mara's favourite foods because he didn't think she should eat them any longer is crossing a line. Then there's the issue that Gus finally got a boyfriend and of course, it's the devil. They both agree that they want happiness for the other and while their relationship is great, Gus being so intertwined in Mara's life turns him into GBFF and that's a trope. It is further problematic that Miller just had to come up with a reason for these two to kiss. Ummm nope. Let Gus be the gay man that he is. 

Mara showed real backbone when she stood up to Paul declaring that since the baby was in her body that it was her choice.  It's not often in media that we have such strong declarations of female reproductive freedom.  I will however say that Miller only chose this stance because Mara had chosen to keep her baby.  Media is generally speaking reluctant to take this tact when a woman is choosing to have an abortion.  I liked that Mara not only justified her decision by claiming her body but that she also told Paul he could choose the level of his interaction with the child.  

Friday, June 15, 2018

The Handmaid's Tale, Season Two, Episode Nine: Smart Power

After being witness to the brutalizaton of Serena by Fred, June has once again lost hope for the future for herself and her child, despite just a few short episodes ago promising her unborn child not to stop fighting.  At this point, June once again believes it to be hopeless to dream about the things she wants. Her depression is interrupted by Rita, who's there to inform her that they've been summoned. Understandably, being called by the commander is something to fear. When they arrive in the office, they are informed that Fred and Serena will be leaving for a few days to go to Canada on a diplomatic mission. To ensure the safety of his household, Fred leaves a young guard named Issac in charge. 

Now that the help has been informed, Fred's next stop is the greenhouse to find Serena.  Having been chastised, Serena is back to doing what is expected by her from the Gilead.  When informed about the potential trip, Serena tries to take a step back explaining that June is in her third trimester and that the baby might need her, but Fred argues that they are making this trip to secure the baby's future.  Fred always refers to the unborn child as male because clearly, masculinity is all that matters in Fred's world. It's in contrast to June who always uses female pronouns for the unborn child. It's crucial to Fred to establish a different view of Gilead because the world rightly believes that women are oppressed and voiceless. Fred wants a good Gilead wife to tell a different story to the world.  It's another reminder of just how monstrous Fred really is and when he reaches for Serena, she visibly flinches and a look of revulsion passes her face. It's clear that Serena is traumatized by what happened but she doesn't have the voice or the safety to be able to say so which is ironic given that she's supposed to show the world that Gilead's women haven't been silenced. 

Rather than confront Fred directly, Serena does what she always does - she takes it on June.  Serena pays a visit to June's room and pretends that June isn't even there as she talks to June's now heavily pregnant stomach.  It's as though Serena believes that by submerging herself in the role she has been forced to play that she can be safe.  As Serena heads for the door, she drops the bomb about June leaving the house as soon as the baby is born. June tries to plead that handmaids are normally allowed to stay with their babies until they are weaned but as far as Serena is concerned, they've all had enough of each other.  June can only meekly responds, "Yes Mrs. Waterford."

Nick is coming along for the trip as security and of course, Eden is there to play the dutiful wife and wish him a safe journey.  Eden hands Nick some chocolate chip cookies she made, saying that this is the first time she's even seen a voucher for actual chocolate. Eden may as well be handing Nick a pile of dog shit for all he cares about her efforts. Nick doesn't even try to pretend that he will miss her while he is gone. June has already warned him about Eden, so Nick better start to take care because as we've already seen with Mrs. Putnam, an angry wife can come with a painful cost. 

It's time for June to head to the market and she is joined by Janine, her shopping partner. Janine is all smiles as she wonders about whether or not Mrs. Putnam will let her see Charlotte again soon.  June clearly doesn't have the heart to be real with Janine, as she talks about how her baby smells like her and that it would be a shame to keep people who smelled the same away from each other. All this talk about baby Charlotte has its effect on June and she tells Janine about her upcoming expulsion from the Waterford home.  This information immediately agitates Janine, causing her to raise her voice as she says that handmaids are supposed to be allowed to stay.  The guard tells the women to be quiet. Janine of course will not be silenced. When Janine is called an unwoman and told once again to be quiet, Janine responds by telling the guard to suck her dick.  The guard responds by hitting Janine cruelly with the butt of his gun, causing her to collapse unconscious on the ground.  June tries to check on Janine but is dragged away by Issac.

Once home, Issac reports that they were unable to get chicken and this concerns Rita because a growing baby needs protein.  As Rita goes through the cupboard to find some beans to replace the chicken, Eden and Issac get a little flirty. Yep, this looks like it's going to be trouble.  Issac turns and orders June to go and lie down but before leaving the kitchen, June asks Rita if she could bring her some warm milk when she gets a chance. 

When Rita delivers the milk, June starts to talk about her wishes for her unborn child and asks Rita about being a Godmother. Rita reminds June that babies don't get baptized in the Gilead, clearly trying to bring the conversation to an end. June talks about wanting kindness for her child and Rita reminds her that she doesn't have any power. Rita reminds June that Issac, who is a 20 year old kid could bash her head in and that no one would care.  June however does not give up and keeps pushing about how this is important for the baby, finally causing Rita to agree to do what she can as tears run down her face. A satisfied June tells her unborn child that she has secured one person for her.  

When Aunt Lydia shows up for a wellness check, June is forced to account for what happened on the shopping trip, taking full responsibility and blaming it on pregnancy hormones. Aunt Lydia agrees that some leeway is possible but that June must remember to follow the rules. June asks if Aunt Lydia has been a godmother and Aunt Lydia brings up her sister's child who didn't survive. Aunt Lydia however is quick to declare that she was not responsible for the death of the child in question.  Somehow, I don't believe her in the slightest. Speaking cautiously, June reveals her fear that in her experience, a man who could hurt a woman could easily hurt a child.  This touches a nerve with Aunt Lydia, who promises that she would never let anything bad happen to a baby. 

In Canada, Luke, Moira and Erin are watching the news and they learn that Fred is coming to Canada. Moira recognises him instantly and is immediately appalled. Luke and Moira head to the refugee center to see what can be done about blocking Waterford's visit, only to be informed that they are guests in Canada and as such don't have the power to interfere. When they try to argue that Waterford is a war criminal,  it's suggested that Moira and Luke lend their voice to the protesters instead.

Thursday, June 14, 2018

Siren, Season 1, Episode 9: Street Fight

It’s more mermaids and problematic racial tropes!

I mean, in a genre where the writers are aware enough to think “hey, how about we don’t make all the mermaids white for once?” could they not also make the depiction somewhat cringeworthy?

We also have different levels of unstable going on here: Ben is getting more and more obsessed with Ryn presumably due to the siren song - he’s having disturbing sex murder dreams about her. His decision making is now… questionable

Decker continues to obsess about Donna because of the Siren song

While Xander is deeply grieving for his father and on a major vengeance kick against the merman who killed his dad -but not all merfolk at least. Though he does want Ryn to show him to the Merman and is wandering around with a gun which is always questionable.

The three visiting merfolk quickly steal some clothes and go looking for Ryn, including menacing Helen who is definitely a mermaid but no-one is talking about it (and has a great put down on the merfolk acting extremely human with their pursuit of revenge). Rynn assumes they’re coming to drag her back to the ocean which Ben is very upset about because of the whole obsession thing - and tells her “he needs her.” While Ryn would quite like to be able to come and go between land and sea as she likes - but recognises it may be best to go back to the ocean rather than have more conflict and these three mermaids killing humans.

They meet up and Donna is happy because Ryn is coming home. But the other two are not here to bring her home - they’re here to kill her. Donna switches sides and they run and explain some back story

So we heard about how Ben’s ancestor slaughtered mermaid? Well, apparently he fell in love with a mermaid who spent a lot of time on dry land. The mermaid and Ben’s ancestor had a kid which was apparently disfigured or not human or otherwise troubling. So Ben’s arsehole ancestor murdered said child and his mermaid partner declared “fuck that” and went back into the ocean. To which the child murderer upped his arseholery and led the slaughter of the mermaids.

Mermaids have decided from this that any merperson who hangs around on land for too long may cause another genocide. Perhaps not the best cause and effect reasoning but I feel humanity isn’t in a position to throw stones here.

Since Ryn has become too human, the two merfolk want to murder her to save the merfolk from another genocide.

Wednesday, June 13, 2018

Fear the Walking Dead, Season 4, Episode 8: No One's Gone

Did I ever mention how much I’m not a fan of shows playing with their timelines? Because I’m not a fan. I’d really really really like stories to be told in order; alas it never is

So in one timeline we have Madison trying to steal an awesome truck by holding Althea at gun point

That’s not a typo - Madison and Althea met. It wasn’t exactly all that friendly. Madison wants the SWAT mobile and is willing to threaten murder to get it. Althea is unwilling to give up the SWATmobile and there’s lots of threats and stubbornness. Althea tries to jump Madison which doesn’t go well, because, well, Madison.

Madison does learn about Althea’s little interview tapes and while she can’t steal the SWATmobile, she can steal them in the hope Althea has run across Nick or Alicia. Althea manages to catch up with her when she’s all despairing to get her tapes back and hold Madison at gunpoint

But, in her own way, Althea is as impossibly good as John is. She has an excellent story of why she cares so very much about the truth and how as a reporter she once did an improbable amount of good by simply revealing the truth. She is convinced that everyone’s story will matter one day and I really like her. Honestly it’s wonderful to see a character that is this passionate about something other than survival in a zombie apocalypse, someone who is inherently hopeful

 She just wants Madison’s story - which Madison tells with a fake name. She speaks about wanting to create a place for her children, somewhere safe: the Stadium. Not just because it has walls but so they can all live without having to make these brutal choices. She even has a beautiful story of how kind and caring her kids where when they were children - and how much she wants them to stay that way.

Althea sends her on her way - with supplies.

Which convinces Madison that, yes, people can be good and she wanted to help people. So when she reunites with Nick et al she creates the Stadium

Yes, she met Althea after the last season but before creating the Stadium - and it was Althea who inspired her to become all kinds of good and kind which is the Madison we’ve come to identify

Tuesday, June 12, 2018

Westworld, Season Two, Episode Eight: Kiksuya

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I have to say that Kiksuya, is actually one of the most beautiful and poignant episodes of Westworld ever. For much of the series, Akecheta has been a background character at best. We've seen him through flashback apparently terrorize Maeve and her daughter, as well used as be utilized as a tool to get Logan to encourage his father to invest in the park itself. This week, Akecheta moves from a silent background character to one with a deeply compelling story of moving from being a simple robot to a sentient being trying to understand his world and to deal with the loss of his family and the woman that he loves. 

When we last left William, he was laying on the ground injured from his interaction with Maeve. William is crawling in the dirt towards the lake, determined not to die in the dirt. Akcheta tries to communicate with him in Lakota, but of course, William never bothered to learn the language. Akcheta switches to English and makes it clear that he remembers him.  William is the brought to the village by Akecheta.  William is naturally curious to know why he isn't being killed out right and is informed that death is too good for him. I have to say that after watching the numerous horrors he has inflicted upon the hosts, I wholeheartedly agree. 

Maeve's daughter watches the exchange between Akecheta and William and is clearly terrified. Akecheta approaches her cautiously, worried that she is afraid of him but as it turns out, Maeve's daughter has retained enough of her memories to realise that the one to fear is actually William and not in fact Akecheta.  Akecheta tells her that she has nothing to fear from William now and that he will protect her as he always has. In a flashback, we see Maeve's daughter hand Maeve a bloody rock with the maze painted on it, claiming that it's a warning from Ghost. 

The flashback changes and this time, it looks back into Akecheta's life in the park before it opened. Akecheta led a peaceful life surrounded by those he viewed as family along with his wife Kohana. This life however was not to be and came to an end the day he discovered the first massacre at the park - the massacre where Delores not only killed a lot of hosts but Arnold.  It seems that this was Arnold's failed attempt to ensure that the park didn't open. This is where Akecheta sees the maze for the first time and it makes an indelible mark upon him. Akecheta doesn't even have a chance to process exactly what has changed before he is brought in for reprogramming and the life he  knows is ripped from him. Akecheta goes from being a peaceful man, moving through the world and loving his family to a man who rampages and murders i.e. everyone except what he calls newcomers (read: humans) 

Akecheta lives out the cycle that he is reprogrammed to perform but his mind remains somewhat troubled.  It is a chance meeting with Logan that sets him on a path to find a way out of the park.  Logan, as we know, had been banished by William and Akecheta find him,  sitting naked and babbling to himself about wanting to find the door and the real world.  Akecheta pauses long enough to give Logan a blanket to cover his nakedness, promising that his kind would find him soon; however, Logan's words become the key to Akecheta's quest. Now Akecheta knows that the life he is leading isn't right and that there's a way to escape. It is then he remembers his wife Kohana. 

Back in headquarters, having delivered Maeve to the lab, Lee is desperate for her to survive. Unfortunately, the tech's only real concern is to get as many control units as possible from the huge pile of dead hosts which are a result of the awakening and high rate of violence. Lee is forced to argue that Maeve is different and can control the hosts with her thoughts, before beging the tech to look at Maeve's scans. This is enough for the tech to start working on Maeve and it's a gruesome sight given that we know from Bernard's visit to the cradle that hosts do indeed feel pain. 

Now determined to find a way out of Westworld, Akecheta heads to the valley beyond. The valley as it turns out is a huge canyon dug into the earth.  There seems to be a sort of elevator built in. Akecheta interprets what he sees as a path to escape but he decides not to leave until he can reunite with Kohana, even though she no longer remembers him. Akecheta returns to Kohana's village and he kidnaps her in middle of the night.  They ride the horse together and Akecheta pauses long enough to wash off the makeup - clearly a visual signal that he is putting aside the life foisted upon him by the rewrite. For the first time since massacre, Akecheta is himself again. With his makeup gone, it's time to approach Kohana again and let her know that she doesn't need to be afraid. Akecheta moves slowly and cuts the ropes holding her hands and she backs away in fear.  Slowly, Akecheta approaches and this time, he places her hand over his heart and says, "take my heart when you." This is the phrase that the lovers would say when they separate. It takes a moment but Kohana responds, "Take mine in its place."  This time, when Kohana looks into Akecheta's eyes, she knows him as her husband. 

Now that the lovers know each other for who they are, it's time to head towards the door, which unfortunately is buried under the canyon. Akecheta promises Kohana that they are going someplace their memories will be safe. Unfortunately, the techs catch up to Kohana while Akecheta is off gathering food.  Akecheta watches in horror as Kohana is loaded into a truck and taken away, as the techs wonder how she managed to get so far away from where she is supposed to be. Akecheta returns to Kohana's tribe believing that this is where the techs would have taken her, only to find a stranger in her place. Just like Maeve's daughter was given a new mother, Akecheta now finds a pale substitute in place of his love. 

Having struck out at the tribe, Akecheta wanders across Westworld looking for Kohana, hyper aware of his own vulnerability as he passes through places with extremely hostile hosts and humans. He is desperate to remain alive, fearing that death will mean that he will be erased and once again forget about the life he had with the woman he loved.  After clearly barely surviving another attack, he runs into Maeve's daughter, who greets him with kindness and water. Akecheta believes that this is the first time that he has been seen for who he really is. 

Having failed to find Kohana on his long journey, Akecheta decides to return to her village and this time he meets a woman whose son has been replaced.  Akecheta learns that the people have begun to speak about the place down below.  Akecheta finally realises that Kohana will not be found in Westworld and the only way to see her again is to die. This is similar to the revelation Maeve had about dying and increasing her power and awareness. Akecheta allows himself to be killed by a guest and ends up in the lab for the first time in ten years.