Showing posts with label Christianity. Show all posts
Showing posts with label Christianity. Show all posts

Friday, May 5, 2017

The Handmaid's Tale and Race


When Margaret Atwood published in The Handmaid’s Tale it quickly became a seminal feminist text.  It largely dealt the United States becoming a fascist patriarchal, white, Christian fundamentalist country.  To that end, in the original narrative, people of colour were sent to live in the colonies, and Jews were given the opportunity to emigrate to Israel because they were viewed as people of the book but certainly not white. In its updated version, Hulu has chosen to make some changes in order to make the story more inclusive.  By today’s standards creating a television show without people of colour would certainly be deemed by many progressives to be problematic. To that end, several characters in the book who were originally white: Moira, Luke and Nick are now being portrayed by people of colour.  

To be clear, I absolutely love Samira Wiley and think that she’s a brilliant actress but changing Moira from Black to White should not have been done without some kind of interrogation of race. Luke and Offred had an interracial relationship before the rise of Gilead and yet, the only issue they seem to debate is gender. It’s not possible to have a mixed race relationship without having ongoing conversations regarding white supremacy and racial privilege.  Nick we are told is considered a man of low status - so low in fact that he has not been accorded a woman.  Nick’s status is framed as being about class rather than the fact that he’s clearly of Asian descent.  Each and every update has been devoid of any critical race theory or even cultural identity specific to people of colour.  It reads as inclusion for inclusion's sake - or tokenism - to avoid charges of erasure.

The Handmaid’s Tale reflects a lot on the oppression encouraged and championed by the Religious Right. It serves not just as a Dystopia, but also as a definite cautionary tale - which has only become more relevant in the last few years. But the history of the religious right is not just a misogynist and homophobic one - it’s also very much a racist one. One of the first - perhaps the first - championed cause that launched the religious right was not abortion - it was segregation - as in fighting to protect it against “government interference” not trying to defeat it. White oppressive Fundamentalist Christianity has most definitely had a hefty stamp of racism from its very beginning - it beggars belief that this underpinning prejudice will magically disappear.

You simply cannot separate the Christian faith from racism. In the name of Christ, Christians have colonised, murdered and terrorised people of colour. While there hasn’t always been unity of thought, because the bible was as both a justification for slavery and a reason for why it should be abolished, it serves as evidence of the ways in which faith has often been the underpinnings of racialised terrorism. Even those who wanted to bring an end to slavery, most certainly didn’t see Blacks as the equal of whites. When Catholic priests and nuns were beating, starving and raping Indigenous people in residential schools, they did so with one eye on the cross. Christianity has always been part of the justification in order to deny the true agenda of White supremacy - the absolute subjugation of all people of colour at any cost.  So desperate were White Christians to make God in their image they made a Palestinian Jew White. The blue eyed, blonde haired Jesus is a figment of the imagination much like the idea a supposedly benign Christianity.

One excuse for why racism isn’t present in Gilead is that fertility trumps everything. The central motivator to the US descending into Gilead is the fertility crisis - more and more people are unable to have children. The argument is that Gilead is desperate to have any children, regardless of race.

Wednesday, April 16, 2014

No Lasting Burial (The Zombie Bible #4) by Stant Litore


Jesus of Nazareth walks the earth and he keenly feels the pain of the world.  The survivors of Kfar Nahum are a broken people despite following the law.  The dead over ran their small fishing town and in the process killed many and left the living broken. In retribution, those who were bitten and destined to rise with a hunger which could never be assuaged were dumped in the sea. The people of Kfar Nahum invoke the memory of Ezra and believe that they have invoked God's anger by not following the law closely enough.  This then explains not only why the dead walk but why those cast into the sea now consume the very fish they need to survive.

Yeshua makes his way out of the desert lost and confused, aware that somehow he must stop the sound of the voices screaming in his head.  He seeks to feed the people of Kfar Nahum by calling up the fish to feed the hungry but in the process calls the zombies out of the sea.  How will the people of Kfar Nahum deal with this horror again, now that they have lost so much?

To be honest, I picked up No Lasting Burial expecting it to be somewhat quirky.  A sort of biblical tale meets zombies ala The Walking Dead.  It's true that No Lasting Burial does indeed fit the model of a zombie apocalypse/dystopian in the loosest sense; however, the zombies themselves feel sort of extraneous to the story.  Life in that time period was hard, particularly for poor Jews.  Litore didn't need to add the zombies to give us a sense of suffering and the stark nature of life that the average human lived.  The zombies just were over to top. No Lasting Burial feels like an excuse to retell an already familiar biblical story.

Wednesday, December 21, 2011

Wednesday Reboot: The Prophecy

Did you ever notice in the Bible how whenever God wanted to punish someone, or make an example, or whenever God needed a killing, he sent an angel? Did you ever wonder what a creature like that must be like? Your whole existence praising your God, but with one wing dipped in blood.  Would you ever really want to see an angel? 
The Prophecy was released in 1995 and stars Christopher Walken, Elias Koteas and Virginia Madsen. We are all aware of the original war in heaven where the angels rebelled, and God cast Lucifer our leaving him to rule over heaven.  The Prophecy posits that this was not the last war in heaven.  It suggests that another war has been raging for centuries, because the angels are jealous that God has elevated man over them by bestowing a soul upon humanity.

The movie begins with Thomas Dagget standing in line to take his priesthood vows.  As he lowers his body to the ground to ask for the strength and forgiveness of God, he is overwhelmed with a vision of angels covered in blood, screaming in pain, in the midst of a battle.  We learn that unlike many, Thomas has lost his faith because heaven showed him to much.  Years later he has become a cop.

The war is at a stalemate and the archangel Gabriel is searching for the soul of a man who was a general in life, guilty of heinous war crimes in Korea.  In this search he is willing to stop at nothing.  Being an archangel is impossible to kill and possess superhuman strength.  This makes him a formidable opponent.

Before Gabriel can possess the soul of Colonel Hawthorne, it is removed and placed into a young Native American girl named Sophia.  All that stands between Sophia and Gabriel is Thomas Dagget and her teacher Katherine.  To protect her they must even face Lucifer himself played by Viggo Mortensen.