Monday, November 5, 2012

Fangs for the Fantasy Episode 92

This week we discuss The Walking Dead, Haven, Grimm, American Horror Story, 666 Park Avenue, and Revolution.

Our book of the week is Dark Descendant by Jenna Black




 Our next books of the week are:

5/11-12/11: Runelight by Joanne Harris
12/11-19/11: Her Own Devices by Shelly Adina
19/11-26/11: Eternal Night by Guillermo Del Toro
26/11-3/12: Kindling the Moon by Jenn Bennet
 

Review: Dark Descendant by Jenna Black, Book 1 of the Nikki Glass Series



 Nikki is a private detective with a difficult past, a loving family and an unusual case – emit believes his sister has been taken by a cult and wants her to investigate. Normally she’d listen to her instincts, but since it’s an ideal excuse to get out of an awkward blind date, it sounds much more appealing.

Until she finds herself driving on an icy road – and running over and killing Emmitt as he smiled and didn’t even try to save himself.

Which rapidly leads her in a room full of people who think she just killed their friend – worse, they think she did it on purpose to steal his power. She’s a descendent of Artemis, the goddess of the hunt, and her powers have been activated now she has killed another descendent of a deity – something the others – the other Liberi – have a hard time believing she did by accident.

And it doesn’t stop there – as a descendent of Artemis, she is one of the rarest deity bloodlines and her powers are in very high demand by both these Liberi – and the Olympians; an ancient, powerful and completely ruthless group of Liberi who will resort to any tactic to bring her to their side.


I like this world – the idea of the immortal descendants of all the gods who can only die if they are killed by other humans descended from the gods is a fascinating one. The competing organisations of demi-deities promises to be a fun and epic fight.

The story itself is very focused – we don’t have much in the way of side plots or distractions and the action happens appropriately, downtime happening off the page rather than having to laboriously detail the grunt work and the daily grind. This comes together to make it a very well paced book, it’s not a long book and not a word is wasted; it’s on target and at no point is it not telling the story. If anything, I think the book may be sparse in places; Nikki’s interactions with the Liberi she lives with would have been interesting to see and to add more than just names to characters. At the same time, it wasn’t necessary knowledge for the story and we were never left without information we needed to make the plot hold together – so all of this development can pause for a later book. The only issue I can raise on the excellent pacing is that Nikki often doesn’t drive her own plot. This is understandable given that she has been immersed in a completely new, alien world. But at times she does seem to hide from it and just hope it all goes away – again, that’s probably understandable.

There’s a lot of scope for expansion in the series, and a lot of questions and development that makes me look forward to the next book. The characters we see have some depth to them and Nikki herself is an intriguing protagonist. She has a combination of strength and determination mixed with considerable compassion and almost inability to do harm or endure people’s suffering that we rarely see presented so overtly in the genre.

And, of course, I am always a geeky fanpoodle over mythology. This has the potential for infinite expansion which I’m really looking forward to. But even aside from the world, there are so many characters that have a lot of potential that have only been touched upon –most of the Liberi we know little about, we know little about everyone’s powers or what it means to be a Liberi. We have Nikki’s family history even her relationship with her step parents – there’s a lot to be developed here, a lot to encourage me to return.

One thing there isn’t, which didn’t just surprised me but positively shocked me, is that there is no real scope of a love interest. Oh, there are a couple of characters who could possibly be if you assume the negative tension between them now will develop into more – but that’s not because its been hinted at, more because we’ve seen these tropes repeated a number of times and expect them to follow the same path. It is rare to see an Urban Fantasy protagonist – especially a female urban fantasy protagonist – who doesn’t have a hot guy lurking around the edges who isn’t already lined up to be her partner at some point in the series. For that alone I give this book major points for uniqueness.

The Walking Dead, Season 3, Episode 4: Killer Within



 At the prison, someone unknown uses a deer carcass to lure and distract some walkers – then break open the chain on the gate and leave a heart in the open gateway to attract the walkers.

Rick and co are preparing for a long day of burning bodies and making sex jokes at Glenn and Maggie’s expense (T-Dog actually got to speak! Almost a full sentence!) They’re approached by Oscar and Axel who beg to be included in the group, Axel begs for a chance to prove themselves. They can’t live in their cell block, it’s full of bodies of people they knew and they can’t dispose of them because one of the fences are down in their area. Rick stands firm and Oscar speaks up much more strongly – the people whose bodies they were dumping were the good people, people who protected them from the worst criminals in the prison like Tomas.  They’d rather hit the road than go back to the cell block.

The group moves off to discuss this and T-Dog is their advocate (he speaks! Even more!) wants to give them a chance and integrate them into the group. Maggie, Glenn and Carol don’t trust them – they’re convicts, Axel looks unstable and they can’t even kill Walkers (so aren’t very useful) and they’re so used to it only being them. T-Dog points out Oscar and Axel probably have less blood on their hands than they do. Daryl, who grew up among criminals, adds “they’re degenerates but they ain’t psychos” it could have just as easily been him. But at the same time he doesn’t see why they should give them a chance, let them take their chances like their group did. Rick steps in – as a policeman he’d seen fake remorse and that doesn’t make people less dangerous and he stands by keeping them apart, which definitely troubles T-Dog.

T-Dog makes it clear he thinks they’re killing Oscar and Axel by forcing them to leave and Rick asks T-Dog if he’d rather have their blood on their hands or the group’s – he says neither; I like that he refuses to accept Rick’s framing of the situation, his narrative that Oscar and Axel are a threat.

They give the prisoners a week worth of food and continue to plan how they’ll live in the prison – they’re low on ammo, the armoury having been picked clean and they want to get the bodies out of the prison rather than risk growing crops in soil filled with rotting Walkers.

Inside, with Beth, Lori and Carl, Hershel takes his first steps in crutches. He’s tough as old boot leather and impresses everyone by how far he’s ready to go on his first day, including Glenn who calls out to him (a little out of character since he’s always been the scout but it also shows the pressure of never being able to let your guard down).

They seem to be having an almost happy, peaceful moment – when a horde of Walkers appear behind Lori, Hershel, Carl and Beth. People start shooting, Glenn starts re-wiring the fence so they don’t get Walkers from 2 directions and everyone else starts running (Rick screaming Lori’s name – see he does care). And Hershel takes on a Walker with his crutch (I think I’m going to like tough-as-boot-leather Hershel).  Hershel and Beth manage to get behind a fence and Maggie, Carl and Lori inside into a cell.

T-Dog manages to close the open gate they’re coming through – fighting through the Walkers to re-seal it. And he gets bitten by a Walker from behind. Oh you are kidding me, is this why he got lines to say this episode?!

Carol and T-Dog stagger through the tunnels, she urges him to stop since he’s so badly injured but he asks why wait – for him to turn? He’s determined to get her through the tunnels. She says she won’t let him become a Walker and he says he can’t ask that of her – and he finds religion.

And Maggie, Carl and Lori run through the tunnels, dodging and running from packs of Walkers – which is when Lori’s  contractions start. They make it to the boiler room and hide inside, with Carl scouting, but the door doesn’t close.

Rick, Glenn and Daryl start clearing out the Walkers and Glenn points out the chain was broken by an axe. Rick blames Oscar and Axel – and then the prison alarm sounds. It’s really really loud and is a dinner bell for the Walkers. They start shooting out the speakers and Rick runs to Oscar to ask him how this is happening, he says it must be the backup generators. Oscar has worked on them for a few days and may be able to stop it and be able to close the main gates with full power.

While Rick & co clear out Walkers and split up looking for the others and the generator, Maggie enlists Carl to help because Lori’s baby is on its way. This is less than ideal to say the least and Lori starts bleeding profusely, Maggie says there’s something wrong.

Fangs for the Fantasy Books of the Week



Every week on the Fangs for the Fantasy podcast (archives here) we read a book and discuss it on the show. The review for the book of the week always goes up on 3:00pm (EST) on a Monday (Monday’s book review).

To give people a chance to read along with us, every Monday we’re also going to include a list of our planned books of the week for the next few shows, so people can get the books, read them and join in the conversation.

29/10-5/11: Dark Descendant by Jenna Black
5/11-12/11: Runelight by Joanne Harris
12/11-19/11: Her Own Devices by Shelly Adina
19/11-26/11: Eternal Night by Guillermo Del Toro
26/11-3/12: Kindling the Moon by Jenn Bennet
 
We will discuss each book on the latter date – so on the 12th November, we will discuss Runelight by Joanne Harris

We will post a new list every Monday with any changes or new books.

Misfits, Season 2, Episode 5



The new season of Misfits has begun but our recaps are not yet up to date. Because of that, we will continue to run our recaps of the old series on Mondays until we catch up and we will be covering the new season on Wednesdays
 
In the community centre, Nathan walks in on Jessica – a charity worker in her underwear getting changed. Being Nathan, he does not handle the situation with anything close to class. Following which, the lights go out and Nathan is brutally murdered, his head slammed repeatedly against the sinks until he dies.

Y’know, there’s an advantage to Nathan being immortal – it means we can see him die many many many times. It’s like the Joffrey slap on a grander scale and with far more variety.

The gang arrives (Alisha walking in with Simon and trying to connect with him after the death of future Simon) to find a newly resurrected Nathan whining about being horribly murdered. They consider for a moment who could possibly want Nathan dead but are faced with a list that includes “everyone he ever met”. The conversation devolves, in classic Nathan fashion, into auto-fellatio and Kelly points out this is why people kill him.

The community centre is hosting a big charity fun run – which Jessica is organising. Nathan asks their probation worker about her (who is his usual encouraging, helpful self), throws in some transphobia (can we schedule another Nathan murder, please?) then runs to Curtis and Alisha – telling them he thinks Jessica was the one who murdered him (and isn’t that the weirdest sentence?).

Jessica is busy flirting with Simon who is engaging in stunned, monosyllabic lack of social skills – but she does seem disturbed, perhaps even surprised, to see Nathan watching her.

On the roof the gang try to tell Simon about Jessica murdering Nathan but Simon won’t believe it – even with the litany of weird things that happened to them. In the end he leaves, thinking they think there must be something wrong with a girl if she likes him (Nathan was, of course, not a big help there). Simon goes to see Jessica and asks her out to the bar – watched by a sad Alisha.

The community centre nearly empty, Nathan watches Jessica and Chris, someone else working on the run. They’re laughing and joking and Chris tries to hug her – and she pulls away. He pushes and she leaves, he calling her a “pricktease”. Nathan gets up to follow them, through the silent, deserted corridors, until Chris’s body falls on him, bleeding from a neck wound.

Nathan calls Alisha, who is sadly examining Future Simon’s old flat and tells her that Jessica has murdered someone else – and he’s staying dead (after a false start). Alisha tells him that she’s on a date with Simon and the both go to the pub, waiting outside, in case she tries to hurt him where they both admit that they’re there because they like Simon.

They watch Jessica and Simon leave the bar, she takes Simon aside and then kisses him. Then leaves, saying she’ll see him tomorrow. Then he finds Nathan and Alisha followed him – who tell him about the dead man at the community centre.

Kelly, while moving boxes, runs into a guy who thinks she’s beautiful (confirmed by her mind reading skills) on the run from the police – who she quickly misdirects for him to escape. Leaving the centre she runs into the man again who tells her he was running from the police because he was in a fight. He wants to have a beer with her as a thank you and she tells him no and threatens to slap him when he pushes. As she leaves he tells her she’s the first person who was kind to him and she melts – agreeing to one beer. His name is Bruno. They spend some time together, her talking about her probation and his funny face when she hears him think “shall I invite her back to mine?”  He wanders in indecisions so Kelly asks him if he has any beers at his place.

Sunday, November 4, 2012

Haven, Season 3, Episode 7: Magic Hour Part 1



 A couple in a house are watching their dead child on the table – her death was an accident but they haven’t called the police – because when the sun goes down, she gets up and seems to be all better.

Another Trouble in Haven!

Audrey is going to check up on James Cogan (the Colorado Kid, who disappeared in 1983) – talking to Paul and Junes Cogan, his parents. Paul is dead and she keeps getting an answering machine at the house – so needs to go see June and see if she knows where James is since, apparently, she loved him and she did leave a note to herself telling her that it was important to find him before she goes away. And maybe finding him will stop her having to go away. There, nice recap fit in there. Anyway she’s flying to Colorado with Duke (Nathan naturally not amused by tis because RAWR HATE DUKE).

Back to the Trouble of the week, the newly reunited family are happy that their daughter is alive, though Dan, the father, wants to get her to a doctor while Linda, the mother is just happy their daughter is alive. Right until a speeding car rams into her and kills her.

An ambulance arrives along with Tommy and Nathan and they find it odd that Dan is talking on his phone while his wife is covered by a sheet and taken to the morgue. Nathan has Tommy follow him just in case he’s involved.

He returns to the police station to run into Jordan, her friend Grady has disappeared while on a mission to bring a Troubled person from California to Haven; he disappeared at about the same time the bolt gun killer showed up. Jordan insists she gets to see the evidence that points to the bolt gun killer is in the guard. He tells her that handing out police evidence to people of dubious adherence to the law who are harbouring a murderer isn’t the best plan. Hah! No, of course he doesn’t – he hands it right over, showing her the picture of the killer killing a woman outside the ATM – in which you can see his tattoo and a watch, which she recognises as a gift she gave Grady. She lifts the maps on the flip chart to see the gruesome things the bolt gun killer has done to his victims.  Jordan want to bring him in, she wants to make this right (hey, give evidence to the police then? Maybe?)

Tommy following around Dan watches him take out a substantial sum of money from the bank and then drop it off at the athletic centre – which looks a lot like a money drop for paying off, say, a hitman. From there it’s too the morgue where Tommy and Nathan find Dan holding the nice medical people at scalpel point and checking his watch – he’s agitated that they may cut into her body in an autopsy. The sun sets and Linda is back – alive again.

Tommy interviews Dan and, much to his own disbelief, asks him if he paid money to have his wife brought back from the dead. Dan tells his story, when Lizzie fell from a tree and broke her neck, a voice on the phone told them to wait until sunset and Lizzie would be brought back – which happened. But with Linda, they demanded the drop off of money. Tommy tells him he’s paid the ransom, that he’s being blackmailed.

They get a hit on the smashed headlight from the car that run down Linda – it’s registered to Sophia and Charlie Carter, Dan’s partners in an organic vegetable farm. They go to investigate and find Sophia clutching her phone and sitting over the dead body of her husband, waiting for the sun to go down. When it does, he doesn’t move and she cries – she paid the money, he wasn’t supposed to stay dead – the people who killed her husband promised.

Grimm, Season 2, Episode 10: Hour of Death



 

“And branded on the beast, the mark of his kin. For none shall live whom they have seen.”


Nick is having a bad night, dreaming about a missing girl they have on a case that’s stalling. He wakes – on the couch where he’s sleeping (they have no spare rooms. That huge house is filled with… I don't know, wardrobes. Big wardrobes). He and Juliette finally have some level of frayed tempers over the whole amnesia thing with Nick being a little irritated over sleeping on the couch for so long.

The actual missing girl has been kidnapped, and we hear her kidnapper, Adrian Zane, talk about selling her one and “feeding” her to keep her in good condition – while burning revealing pictures of her. He opens the door to find Nick and Hank there, asking about the missing woman, Donna Renolds. He works in the same building as she did. While questioning him, Nick sees the photographs he’s burning and tells Hank – the guy woges (are there no human criminals in Portland any more?). Nick kicks him through the back door and chases him, tackling him and bringing him down. He begins punching him, asking where she is, until Hank pulls Nick off the man. The man loses unconsciousness and Nick tells Hank he’s a Wesen.

At the police station they question him and he claims they were photographs of his ex-girlfriend, Jennifer Benson. Consulting with Renard they find that there was no forensic evidence and the fire only shows photo papers, no pictures have been found, without more proof they can’t hold him. Hank suggests to Nick that maybe he’s wrong, after all they have been seeing photos of Donna Renolds – and just because the man’s a Wesen doesn’t make him guilty. The man could have run simply because Nick’s a Grimm.

They let him go, but as they do Nick threatens him about lying – if he’s not telling the truth it’s one thing to lie to a cop, another to lie to a man like Nick. The man freaks out and is lead away. Hank confronts Nick and Nick says he did threaten him and is convinced he knows more and knows where Donna Renolds is. Hank asks what he’s going to do but Nick wants to act alone so Hank doesn’t take any blame for it.

Juliette starts researching Adalind Schade, after she was told last week that the cat scratch was why she was ill, but finds that she’s resigned from her job and disappeared. She’s interrupted by Renard calling her, worried about Nick being agitated lately. Worried that he may be ready to blow up – they arrange to meet to discuss it over coffee (hello there ulterior motive!)

Saturday, November 3, 2012

Beauty and the Beast, Season 1, Episode 4: Basic Instinct




 We open to another crime – Vincent hearing a heartbeat falter and then stop. This prompts him to launch into a series of random gymnastics. Having shown off for the cameras, he finds the guy in a dumpster, drags him out and performs chest compressions to get his heart pumping again – and hustles him to a hospital where he blurts instructions to someone with a gurney before disappearing into the night – like a much more poorly equipped batman.

Catherine, meanwhile, is failing badly at baseball, which is apparently bad because they’re playing a game against the firemen and winning is Important. She would be good if she could only learn to trust her instincts (pay attention to this clumsily lampshaded message, it’s the episodes theme). Vincent’s also watching the game, because stalking her and randomly appearing any time she happens to be alone is his idea of a good time and totally not creepy, honest. He tells her about the guy he dumped at the hospital because this then magically makes it her case

Tess and Catherin meet at the police station to start with all the preliminaries. The comatose kid is Tommy, he’s 19 and still has his wallet so it’s not a robbery. He has a lot of old, healed injuries that point to long term abuse meaning they cast a suspicious eye at the father. When he arrives they do the suspicious interview but he reveals Tommy had ADHD and before he took his meds he had terrible impulse control leading to him getting into a lot of fights and got into a lot of petty crime, mainly theft. He’s worried Tommy may be off his meds because he has a new Xbox and a really shiny watch.

Case summary with Joe (what does Joe actually do all day?) reveals 3 lines of inquiry: the father who has a reputation for having a short fuse. Tommy to see if he has dipped back into his criminal ways after no longer taking his meds. And a picture in Tommy’s wallet of a pretty girl to see if there’s a relationship problem…

We interrupt this crime investigation for a sinister government agency intervention! JT reminds us (again) that Vincent being in touch with Catherine is putting them all at risk blah blah Muirfield blah blah hide, just copy and paste last week’s warning and lines about ulcers, it hasn’t changed. This sets us up for Catherine to get into a fight with some Muirfield goons and be kidnapped! She’s taken to an ominous warehouse where a Muirfield agent tries to convince her they’re the good guys. His argument is not convincing.

The man tries to convince her that Vincent is a monster, not a person. That he could snap and kill at any time – showing photographs he alleges are from a village destroyed in Afghanistan – it was blown up and set on fire (which is pretty good for a man who becomes bestial and monstrous when he loses control). Catherine tries to pretend not to know what he’s talking about but can only feign it for 5 seconds before slipping. Still, she’s disinclined to be all that trusting of the men who killed her mother. But he shows her another picture of a man called Simon with a pregnant wife who he says Vincent killed. Catherine is disturbed by this totally trustworthy evidence from this totally trustworthy source (got to admire those detective skills). And the Muirfield man asks why would they spend so much money if Vincent wasn’t dangerous (because it’s not like they have a vested interest in covering up their experimenting on soldiers, killing them like animals then faking their own death… right?) There’s some added blatant lies about not hurting Vincent, wanting to fix him (at least she challenges these) and a promise that, if Catherine hands Vincent over, they will give her all the information she wants about her mother – and show a picture of her working in their labs.

She’s released – but with a number to call which will work for 3 days, after that they will reutn to more threats and kidnapping.

In the meantime Vincent has returned to where he found Tommy to look for evidence with his super senses. And he finds a very large watch which he moves so the police searching the scene can find it easier. Uh-huh – a point of note, don’t do this. Where evidence is found can be very important to an investigation and it’s not like the watch was small or not out of place or likely to be missed without Vincent’s super-senses here. The techs would have to have been pretty inept to miss it.

Tess and Evans are trying to discuss the case. Well Evans is, while Tess is worried about Catherine, her running off on her own and being so secretive – she had hoped she was running off for quickies with Evan, but alas not. He points out the strange, circular bruises on Tommy, the cuts on his back that indicate he was dragged and a tox screen that says he was still taking his ADHD medication

Catherine returns to her flat to find her stalker, Vincent there waiting for him. She tells him he was kidnapped and that he has to go. She’s visibly shaken and frightened and tells him that she’s putting him at risk as he always said (finally she gets it!) and the safest thing for her would be if he just left and stayed away. At work, she’s still fixated on Vincent and looks up Simon, one of Vincent’s supposed victims, on the crime computer.

Alas, Tess interrupts with this pesky police case she insists they work on. The watch has been tracked down – it was bought by Lois Whitworth from the Westchester Polo Club and she also runs an organisation that helps rehabilitate troubled youth – and Tommy was one of those troubled youth. Evan also adds in that the soil found on Tommy was unique to Westchester Polo Club. Also a clue fairy came down from  the sky chanting “polo club, polo club polo club” and in his coma-sleep Tommy gasped “west…chest…er…” Beauty and the Beast is not known for its subtle clue presentation. Oh and Catherine missed her baseball practice because she was kidnapped. It matters, apparently.