Aniri is back in Jungali with Prince Malik. Now that things have settled down a little though the threat of war with Samir looms large, Aniri now has time to wonder if she has rushed into her engagement with the handsome prince. Aniri has good reason to doubt given that her last affair with the courtesan Deevish ended in betrayal. Aniri barely has a change to deal with her jitters before she is notified that an assassination attempt has been made on her sister, the second daughter of Dahria, Selderi. Though Malik desperately wants Aniri to marry him first to cement both their relationship and the treaty between their two nations, Aniri is compelled to rush to her sister's side. Aniri's trip to Samaria will reveal a long standing family mystery but at the same time, push her country closer to war, even as it threatens her marriage to Malik.
The Dharian Affairs Trilogy is rare in that it is a steampunk series based outside of Europe, with a large cast of people of colour. Quinn takes great care to fill her story with a strong sense of culture and India. Her descriptive writing is vivid, thus making it easy to picture the surroundings and get swept away with them. With the potential of war looming in the future it raises the tension in Second Daughter. I must however admit that I am not as enamored with Second Daughter, as I was with Third Daughter. Third Daughter is very slow moving at the beginning and it feels very much like it is treading water. While it is absolutely sensible for Aniri to doubt herself, in terms of her love for Malik, it took up far too much of the story given what was at stake.
Aniri continues to be filled with spunky agency. She never thinks things through, or has a coherent plan; she simply moves from one bad situation to another, justifying her lack of forethought by the fact that those she loves are in danger. Some of this can be justified by Aniri's youth but at the same time, I feel as though she should have grown more, given the events of Third Daughter, beyond the notion that rushing into an unbreakable marriage contract without forethought could have consequences. I do however like the fact that Aniri remains intellectually curious and is unafraid to face danger, even if common sense should at least cause her to pause momentarily.
The Dharian Affairs Trilogy is rare in that it is a steampunk series based outside of Europe, with a large cast of people of colour. Quinn takes great care to fill her story with a strong sense of culture and India. Her descriptive writing is vivid, thus making it easy to picture the surroundings and get swept away with them. With the potential of war looming in the future it raises the tension in Second Daughter. I must however admit that I am not as enamored with Second Daughter, as I was with Third Daughter. Third Daughter is very slow moving at the beginning and it feels very much like it is treading water. While it is absolutely sensible for Aniri to doubt herself, in terms of her love for Malik, it took up far too much of the story given what was at stake.
Aniri continues to be filled with spunky agency. She never thinks things through, or has a coherent plan; she simply moves from one bad situation to another, justifying her lack of forethought by the fact that those she loves are in danger. Some of this can be justified by Aniri's youth but at the same time, I feel as though she should have grown more, given the events of Third Daughter, beyond the notion that rushing into an unbreakable marriage contract without forethought could have consequences. I do however like the fact that Aniri remains intellectually curious and is unafraid to face danger, even if common sense should at least cause her to pause momentarily.

