Monday, July 28, 2014

Fangs for the Fantasy Book of the Week



It's Monday so time for another episode of Fangs for the Fantasy podcast - our weekly podcast where we discuss all our shows and our book of the week through our social justice lens.

The podcast will be 7:00pm EST tonight! We hope to see you there

If you need to catch up on any of our previous podcasts, you can find them here

And those reading along can see our next books of the week:


(Our list is always subject to change should we need to squeeze something in or something random happens)



21st July - 28th July: How the White Trash Zombie Got her Groove Back, by Diana Rowland
28th July - 4th August: The Vampire Armand by Anne Rice
4th August-11th August: Blood Games by Chloe Neil
11th August - 18th August: Merrick by Anne Rice
18th August - 25th August: Blood Passage by Connie Suttle
25th August -1st September: Blood and Gold by Anne Rice

Sunday, July 27, 2014

Witches of East End, Season Two, Episode Three: The Old Man and the Key


Joanna watches Frederick sleep and this is a segue into a flashback. We see Wendy, the girls and Victor rushing towards the portal to meet Frederick.  As they rush, the girls worry that their grandfather will cause a problem for them because he had them banished. When the portal opens, Joanna makes it through but sadly tells her family that she lost Frederick.  In the present, Joanna grabs a blanket to toss over Frederick and pauses when she notices the marking on his chest.

Later in the morning, Joanna meets with Wendy in the garden and tells her that Frederick has the king's symbol branded on his chest. Wendy believes that her suspicions about Frederick have been confirmed because the brand is the ultimate sign of loyalty, but Joanna reminds Wendy that they don't know what it means. Wendy argues that Frederick is spiritually bound to their father for eternity but again Joanna comes to Frederick's defense, pointing out that they don't know the circumstances under which Frederick took the oath. After a bit more back and forth, Joanna finally admits that she is suspicious of Frederick and given that two people have been killed in town, they have to be careful.

Before leaving for her trip, Freya pops in to see Ingrid, who is busy packing up her things to move out. Freya says that it feels strange to go through a lifetime of things and Ingrid expresses her happiness for her. Ingrid expresses concern about Freya's trip but Freya says that she has to go now that she has seen a vision of Killian's death and adds that she is not necessarily safe staying in town. They then switch to Dash and the danger that he poses now that he has power and is filled with so much anger over the way his relationship ended with Freya. Freya suggests that they should just leave him alone but Ingrid sees Dash as a victim and suggests that what he needs is guidance. Freya points out that Dash could do a lot of damage if he knew what he is capable and this causes Ingrid to assert that this also means he could hurt someone accidentally. In the process of cleaning out the closet while the sisters have been arguing, they come across a secret door. When they try the handle, the door is locked.  Joanna appears and gives the excuse that it was a door she had closed off when she changed the layout of the house.  Yeah, I wouldn't buy that in the least. Joanna is saved by the bell when Freya's cab arrives.

Dash is lying awake in bed after having a one night stand when ghost Killian makes an appearance. Killian questions why Dash isn't dealing with the black mailer and Dash reveals that he hired someone to look into the IP address of the blackmailer.  What Dash does not realise is that his lover has awakened and to her, it appears as though Dash is talking to himself. Ghost Killian taunts Dash about the fact that he has always been the good guy and challenges him to prove that he can be bad.  I cannot believe I actually had to watch this ridiculous pissing contest. Don't ever say I never do anything for the Fangs readers. Dash's little fantasy comes to an end when his lover asks who he is talking to and ghost Killian disappears.

Wendy is in the morgue and she uses a spell to resurrect Dr. Foster to find out who killed him in the bushes. Foster ends up grabbing Wendy screaming that she is one of them and that he knows what she is, forcing Wendy de-animate him again. When Wendy notices that Foster's corpse bears the brand, she takes a picture for what I can only assume is evidence. Joanna is chopping up vegetables in the kitchen when she gets the text from Wendy but she has to quickly lower the phone when Frederick walks in. Frederick has just come in from running and he explains that he loves the air here because everything smells like food and the terrain is flat. When he starts to excuse himself, Wendy asks about the power structure of Asgard. Frederick admits that his grandfather still rules what is left of Asgard and that entire cities have been burnt to the ground at the first sign of descent. Frederick goes on to add that there isn't much descent around his grandfather anymore and that the man is worshiped like a God. Joanna asks Frederick if he worshiped his grandfather and Frederick says that he loved him and that his grandfather was the only family he had left in Asgard. Joanna points out that Frederick could have joined them in rebellion because he knew his Grandfather was corrupt and Frederic defends himself saying that he was fed lies about his family. Joanna claims to understand when Frederick questions her trust in him but she does push a little further to ask why he left. Frederick claims to be traumatized and says that he just wants to forget it all. Frederick heads upstairs saying that he likes it there and is headed out to meet people at the Bent Elbow. When Joanna tells Frederick she loves him, he pauses and says thanks. Hmmmm Frederick clearly has some mommy issues if he couldn't say I love you back.

In another flashback, Joanna reveals that she has the portal key because she stole it from a Kings guard. Wendy immediately suggests they use it but Joanna is adamant that they wait for Frederick. Wendy insists that they cannot wait and that it may already be too late. Victor is quick to take Wendy's side and says that if they don't close the portal, the king will come after them. Finally, he points out that Frederick is a warrior and will survive. Joanna yells that Frederick is their son but Victor points out that their daughters are at risk. Wendy adds that no one wants to do this but they are running out of time.  Suddenly, a bright light comes through the portal and Fredrick comes through the portal claiming that he had to fight three guards and knock his grandfather down. Fredrick asks for the key to seal the portal and Joanna quickly hands it over, only to watch as Frederick throws the key back into the portal. Joanna immediately demands to know how Frederick could betray them this way.

Dash is sitting on a park bench using a tablet to look at the facebook page of Kyle Hutton. Of course, ghost Killian makes an appearance to declare that Kyle is the blackmailer because his boat was in the perfect position to record Dash killing Killian. Ghost Killian does his devil on the shoulder routine and encourages Dash to kill Kyle.

Links of Interest


Since we’re quite capable of losing hours to the internet if we’re not careful, we do come across some thoughtful discussion that are both relevant to Fangs and fire up the brain cells; here are some links of the past few weeks that have caught our interest

Please feel free to share your own links in the comments


A great viewpoint on Katniss in the Hunger Games and the whole concept of relationships being thrust on people, especially women


What it says on the tin with a special nod to the casual use of rape.


What many minority fans in the genre have been saying and can related to. Also refers to the paucity of children’s books about Black characters


Which seems a good time to link to the We Need Diverse Books Tumblr

The BFI is bringing in new diversity requirements for any films receiving lottery funding through them. While it looks like a good first step, we’re concerned at how low the requirements are. Reading their tick system, a sufficient number of visible minorities filling in crowd scenes will count - and some of their “tick” categories completely drop LGBT people as minorities.


Speaking of diversity in film - Glaad has released their report on LGBT visibility in Hollywood films. It’s poor - with no LGBT main characters, only 17 out of 102 had LGBT characters at all and only 7 of them passed the Vito Russo test


Kiss My Wonder Woman has a good series on Strong Female Characters


A strong piece in response to the straight washing of NBC’s Constantine - unfortunately, it also seems to be response to the angry criticism IO9’s other piece on the matter received - one which completely dismissed the issue in a rather homophobic manner.


Steven Yeun, despite his success on The Walking Dead, is still struggling to find other work simply due to the paucity of opportunities for Asian actors.


Latino USA has an excellent podcast interview with NK Jemisin, Daniel Jose Older and professor Nalo Hopkinson about racial diversity in sci-fi


We do not know the various writer’s histories nor can we guarantee that other posts on these sites won’t be problematic - but these posts definitely whetted our interest.

Dominion, Season One, Episode Five: Something Borrowed


Michael and Alex are in a desert and the training has begun.  Michael uses the sun to his advantage and swoops in at Alex.  After several attempts in which Alex does not even manage to harm Michael in the slightest, Michael calls an end to training for the day. A frustrated Alex complains that he has no idea what Michael has been trying to teach him and that he went easy on Michael because he was given live ammunition. Micheal does his Mr Miyagi  routine and makes it clear that Alex never had a shot at hitting him because Alex is ignoring his instincts due to being fueled by emotions.  Alex is warned to get control of his emotions and watch the shadows and not the sun.

David has a flashback to trying to protect his wife and children from roving angels.  We learned that the angels killed his wife and all of his children expect for one.  David is brought back to the present by William, who has questions about the engagement party. William asks for advice and David tells him to cherish the time he has.

A beaten up Alex is back at the station and Claire questions what happened to him.  Alex explains that he was in training. They talk about where Bixby's ashes were buried. They both express sorrow over Bixby's passing and the cynical side of me wonders if this is going to be used to raise Alex's man pain. Claire then goes onto confirm that she is marrying William because she has to look out for the city. Why she cannot do this as a single woman, since they're houses have been framed as equal is beyond me. They kiss and Claire makes her apologies and leaves. I don't know about you but I cannot get into the star crossed lovers story line that Dominion is going with.

Later, Claire stands lost holding the material which will make her wedding dress. Noma questions Claire's lack of excitement and points out that those of lower castes are looking forward to the wedding.  Claire says that the senate wants a grand old wedding to take the people's minds off of the problems. Claire can barely keep the fake smile on her face. David enters calling the upcoming nuptials a match made in heaven. Noma excuses herself and David offers Claire an early wedding present - the blue sapphire necklace his wife wore on their wedding day. David then takes the opportunity to tell Clair that Senator Romero has figured out that her father is having issues with his heart and will be initiating a vote of no confidence in the senate to force him to relinquish his seat. Of course, for the good of Vega, Clair must become lady of the city and take her father's seat.

When the market opens, Clementine sneaks through it with dark glasses. Clementine pauses when she comes across a music box and enters the store to buy it. Unfortunately, Clementine raises her gaze and her red tinged eyes are revealed to the store owner. Clementine begs for secrecy but the man reaches for his weapon and so she is forced to kill him.

Michael and Alex are sitting in Michael's apartment in hopes of inducing Alex into having another vision. At first, Alex refuses to take it seriously but when he does, he sees a vision of a bloody Bixby, who begs him not to allow anyone else to be hurt.  Hours pass this way for Alex and when he returns to his body, Alex simply tells Michael that he saw who he is fighting for, before storming out of the apartment.

Clementine and Edward sit in her apartment and he notices the new music box. Clementine tries to pretend that it's old but Edward is insistent that it's new, forcing her to admit that she left the apartment. Clementine says that she used the tunnels he uses to visit her and lies and says that no one saw her. Clementine argues that with Edward dying, she is going to need someone to look out for her because she will quickly run out of food and water. Clementine then asks about Claire but Edward is adamant that this cannot happen. Clementine is certain that her kind won't take her because her association with Edward and she is further stuck by the fact that humans would shoot her on the spot. David promises to think of something.

David waits in the corridor for Becca Thorn and the moment she arrives, he accuses her of knowing all about the problems with Edward's health. Becca makes it clear that their agreement was only for her to pass information about Michael.  David calls it a matter of little consequence, as Edward will soon be tossed out. It seems however that he needs Becca's support in this matter. When Becca refuses, David makes it clear that she will either help or he will make it public that she had an affair with Michael.

William walks through a courtyard giving the people a sermon of sorts about his phony religion.  They all seem at peace, when William notices a face in the crowd. William dismisses the people and approaches the man only to questioned about being unfaithful to Gabriel and preaching nonsense to the people. William quickly grabs the man in a bear hug and asserts that he is Gabriel's eyes and ears and by his actions, the man is putting everyone in jeopardy.  Before William can get even more forceful, Claire arrives which forces William to let the man go. William is quick to offer Claire his sympathy for her father's heart condition and Claire uses the opportunity to reveal that it is David who is working to get Edward removed as Lord of the city. Claire then gets her flirt on and asks William if there is anything he can tell her about his father which would force him to allow Edward to stay in his position. Instead of providing information, William promises to talk to David tonight before the party.

Michael is working his way through a calisthenic routine when Becca arrives. The two quickly start to kiss. Before it gets too heated, Becca tells Michael that she know agrees that she needs to find a good man and settle down. Becca then tells Micheal that she cannot see him anymore and Michael then does his inscrutable routine and declares it for the best.

Saturday, July 26, 2014

Defiance, Season 2, Episode 6: This Woman's Work




I suspect this will be an angsty episode since we start with Berlin and Tom in bed having sex – and Berlin’s love of cameras stretches into the bedroom. Who bets Irisa is going to see that video and be the saddest of all sad pandas over it?

Viceroy Mercado, one of Niles’s least favourite people, drops in to let Niles know there’s a big shiny piece of Arc debris going to land nearby – which they want very much. Niles doesn’t think he has the resources or expertise for Arc hunting – but Nolan is an expert and Mercado expects him to use Nolan’s expertise. Not being Nolan’s biggest fan, Niles is not best pleased. It’s all politics as well – Mercado need something for the nest election

The Arc debris crashes which attracts the attention of several nasty mutant monsters. The debris has some kind of defence which promptly kills the nasty tentacle dog things. There’s something nasty and deadly in there, kind of like a spindly transformer

Niles and Nolan prepare to set out with additional information on why they want this so bad – it contains something that produces inexhaustible, clean energy. Nice. Nolan insists on being in charge because he’s the expert and Niles isn’t (also because they don’t like each other but they won’t admit to that).

Tommy and Berlin show up, rather than Irisa. Tommy thinks it’s a bad idea to mix them both so brought Berlin because a) she’s his girlfriend and b) she wants to make a propaganda video (she definitely has a thing for cameras). Nolan wants Irisa because a) she’s his daughter, b) she’s an experienced Arc Hunter and C) he doesn’t like Berlin. He also has issues with Tommy revealing him and Rafe trying to hide a murderer and thief; in response to this ridiculousness, Tommy quits. Nolan leaves – and Berlin takes the chance to congratulate Tommy and suggest they go to a different part of the E-Rep, to the border which will be good for both their careers. Tommy agrees.

Meanwhile Stahma takes Christie to one of the Tarr establishments – a casino. Which is being loudly protested by a Castithan called Belatok Kurr, a holy man. He accuses Stahma of heresy and she sends Christie home so she can make nice with the holy man. No, he’s not upset about the gambling – he’s upset that a woman “usurped her husband.” He dismisses the idea of Alak in charge and how their culture has survived because they don’t compromise – Stahma elegantly points out they are both speaking English. She calls assimilation natural, he calls it a virus and think he’s encouraging other women to “forget their place” (his wife looks on with “one day I will strangle you” eyes). Stahma finally decides “screw this playing nice shit” and reminds him she’s an empowered woman backed by a band of hardened criminals. They exchange more insults back and forth and he threatens to see her in a “shaming rack”.

To Rafe and Datak in the hovel Datak is staying in (and a little neat piece of world building – Datak now has a shower, which for Castithans is a sign of very low class). Datak shows something illicit dangerous, shiny and something we can’t see to Rafe. He leaves when Stahma arrives and accuses Datak of paying Kurr – which Datak denies, he doesn’t have the money and Kurr is unbribable. This boycott is entirely from their community and Kurr is dangerous because he is an “honest” man.

Friday, July 25, 2014

Memory Zero (Spook Squad #1) by Keri Arthur




Sam Ryan is a cop and, despite the rules, she’s investigating a crime – the disappearance of her partner. She finds him – but then nothing goes to plan, not least of which when she is suspected of killing him.

Suspected of murder and with some shadowy organisation apparently trying to kill her, all she can do is try to investigate with what little resources are available to her while dodging her attackers – but the only person she can work with is Gabriel, member of the Supernatural police and with his own very suspicious motives.

Things are confusing enough without changes within herself – and the mystery of her amnesia and the secrets contained in the missing years of her childhood.



There was a lot in this book.

We have a futuristic version of our world – with a lot of new technology that isn’t quite sci-fi level future but is certainly up there. We also have a world with the supernatural very much openly present, has been for some time and uneasily fits into normal, legal society. Which means we have laws and legal structures created around the supernatural to fit them into the real world. We have a large history complete with wars and tension between humanity and the supernaturals.

And that’s the world – a world that is detailed and broad with a large number of creatures, technology, magic and practices all worked in in a way that was believable and worked. It’s huge, it’s rich and it’s really fascinating. I think I especially like the slightly-future tech, we don’t have phasers and teleporters – we have technology I can see us having in the not too distant future and making it fit realistically rather than making it a mystical panacea, indistinguishable from the unexplained magic. Though at times I got a little lost and think I would have liked to have some of the points on how the law worked, how the supernatural creatures worked and how that related to the story. I also think the setting suffered, this book is set in Melbourne, Australia – but it felt very “any city, nowhereland”.

The relevant plot also involved vast conspiracies, historical societies, competing philosophies and further hidden agendas and nefarious characters. It’s complex, believable and really well done. But there’s also a lot that I wish had been clarified.

Then there’s Sam Ryan herself. She has a mysterious past, complete amnesia. She may have some unexplained woo-woo and this may or may not make her super desirable to both feuding organisations. However, so far, those powers don’t make her a special snow flake chosen one nor do they make her super powerful – and while they may make her desirable, that isn’t emphasised particularly in why she’s so embroiled in the plot. At very least, she’s not a passive actor, a gem to be claimed by either side- she actively investigates for her own reasons which are completely divorced from whatever special past or powers she has. She drives forwards into the plot – and she does so intelligently and with relative wisdom considering the extreme circumstances she’s in

The Last Ship, Season 1, Episode 5: El Toro



Chief Engineer is back on her feet, the and ship-that-is-held-together-with-chewing-gum-and-wishful-thinking is now working again so we can move on to the latest random issue. Now it’s time to find monkeys to experiment on

Rachel tries to exercise in the gym and is joined by Tex the flirty. Thankfully this is more an attempt for Rachel to explain why everyone hates her because military personnel don’t understand that top secret missions need to be kept top secret.

Tom is keeping an angsty video diary so we can focus on his pain when Mike arrives with news. Because there is unrest in Costa Rica (and the rest of the world) they’ve decided to go to Nicaragua instead because then they can’t take the shop or maintain video contact (so much more sensible). Also Rachel has to come as well since she needs a special kind of monkey. At least there’s probably few people there. For Reasons both Tom and Mike are going just in case there’s a disaster, that way they can lose their entire higher command in one go! Yay! The chief engineer Garnett seems to be in charge now

Off they go in dinghies with a nifty sound track (very important). They disembark, naturally leaving Rachel behind so I assume they’re just going to capture every furry thing they find have have her decide which ones are appropriate on the boat (“wrong monkey, wrong monkey, wrong monkey, taipir, wrong money, wrong monkey, jaguar, aha, right monkey!”). Thankfully this surprisingly equipped boat may not have enough fuel to go 3 miles without stopping to tank up, but it does come with tranq guns. She’s also left being guarded by Tex who asks about her love life and she throws back a “man your age” comment which hits bullseye.

The away team runs into a group of staggering, begging sick people and quickly pull masks on. They reach for the soldiers, begging for help while the troops have to back off unable to do anything. With this threat tom tells Rachel he can’t risk her up river, they’ll have to bring her a collection of monkeys to choose from. They sail off, leaving the sick behind

Tom and Mike realise that the chaos in Costa Rica is here in Nicaragua and is probably the case throughout Central America. And, y’know the world, what with the global pandemic and all that. Why they expected Nicaragua to be better I do not know – but Tom gets to put on his “I am making hard decisions” face.

They leave radio range and send up the flare telling the ship; they also find a wrecked boat marked “el torro” which is what the survivors were saying. On the ship Rachel tells Garnett where they’re going; technically a place that should have people. But then the last place shouldn’t have either

Tom and his men enter the jungle and the rookie guy steps on a trap right before a whole platoon of guys arrive pointing guns at them; ambush. The band takes them prisoner and takes them to a camp full of civilians who appear to be badly treated and exploited by the gunmen. Tom & co are taken to the head of the band, El Toro. Tom threatens the man with his 200 angry sailors with guns while El Toro points out that the wounded guy is actually poisoned and needs an antidote. They threaten him some more and El Toro tells them his generosity will save the man, not their threats (with a snipe at American macho, violent culture).

Women in Hemlock Grove




At the end of the first season of Hemlock Grove, we noted that there were many problems with the way the show dealt with marginalised people - and that definitely included women.

In season 1 we saw a lot of dead women. Letha, Brook, Lisa (and the other victims of the serial killer), Charlotte (the villain), Clementine. Even Olivia and Shelly were dead or missing at the end, though they made a return. The only thing matching the sheer scale of the female body count was the demonisation of female sexuality - from constant sexually misogynist insults to the serial killer that expressly targets women because she disapproves of their sex lives. All of this sexual shaming is topped off with a gratuitous rape scene when Roman decides to take out his angst on Ashley

With that as the foundation, season 2 was something to be approached with worry.

Season 2 didn’t bring us quite the same level of female death we expected - at least, not the blanket death that tore through the first season. Instead we have a pervasive commentary on what it means to be a good woman, a woman’s roles and a whole lot of women in service to or existing to help men.

Olivia spends most of this season seeking redemption. But part of that, to take a direct quote from Olivia, is being a “better woman” and a “better girlfriend” and “better mother.” To be a better woman, Olivia frames this in relation to her family; it’s not about being a better person, it’s about being more pleasant and useful to other people (predominantly men). Now, Olivia does have a lot to redeem herself of and she also has a whole lot to make right with people she has treated terribly for so long – Norman, Roman and Shelly among them. In that light, I can see why Olivia’s wanting to be a “better woman” involves serving, helping and generally being nicer to other people – it’s less about being a better woman and more about her own quest for redemption as she gets in touch with her empathy
But it sits unpleasantly with the depiction of womanhood not just in wider society (where women are presented as lynchpins in other people’s lives – even calls to respect women often come with “she’s someone’s wife/mother/daughter/sister” rather than invoking her own personhood) but also in this season – women in this show are generally servile, evil or both.
Look at Olivia – her whole storyline this season has been the consequences of her being a bad person last season – her selfishness has been punished by depowering, weakness, and even a creeping death as well as the scorn of all she cared about. She’s spent the whole season trying to redeem herself by seeking this selfless, serving ideal. From the strong woman she once was, she’s now rather defined by her family – Norman, Roman and Shelly – Shelly’s sweet forgiveness, Roman’s hatred and Norman’s scorn.
Contrast that with the other “villainous” woman in this season - Dr. Zheleznova-Burdukovskaya, strong, ambitious, intelligent – and desperately seeking agency. And failing. She doesn’t even start in open rebellion to Johann Pryce, chief scientist of the White Tower, she merely seeks to be respected as the capable scientist she is (the reason why he brought her on board after all). But no amount of overture gets her any respect or explanation of the demands put on her. She’s constantly put in her place by Johann who treats like a lab assistant and resorts to more and more “defiant” means to escape his influence. Finally her attempts to assert herself and gain power and freedom (however evil) are punished with death. Her attempts to be other than servile get her killed