Monday, April 14, 2014

Fangs for the Fantasy Podcast: 2014, Episode 14

It's Monday! Time for another episode of Fangs for the Fantasy, the podcast where we examine many of the shows we've been following this week, along with our book of the week and dissect them all from a social justice lens (and an eternal quest for terrible fishy stories).

You can join us here and you can listen live on our youtube channel, here, or in our sidebar. All will also carry a recording after the show is finished. As ever all our previous podcasts can be found in the archive

The podcast begins at 7:00pm EST (technology willing)

This week we talk about Game of Thrones, Once Upon a Time, Grimm and many More.



This week we talk about the many issues raised in The Purple Wedding, especially in relation to Tyrion on Game of Thrones. The bitter-sweet Being Human season finale, but the issues of Aidan's redemption. Once Upon a Time and the problem of Henry's amnesia. Grimm and the awesomeness of Kelly. The 100 and it's major race issues.




7th April - 14th April:  Cry Wolf by Patricia Briggs
14th April - 21st April: The Vampire Lestat by Anne Rice
21st April - 28th April: The Handmaid’s Tale by Margaret Atwood
28th April - 5th May: Night Season by Eileen Wilks
5th May - 12th May: The Queen of the Damned by Anne Rice
12th May - 19th May: Hunting Ground by Patricia Briggs
19th May - 26th May: Banishing the Dark by Jenn Benn

Cry Wolf (Alpha & Omega #1) by Patricia Briggs




Anna has been a werewolf for 3 years – and those years have been spent as the victim of the Chicago pack, a pack that brutalised and tortured her to keep her under control. Until Charles, son of the Marrock, came to town and killed the old Alpha, rescued her – and formed a mate bond with her.

She’s now a member of the Marrock’s pack and is reeling from the changes that have so transformed her life and having to come to terms with how this pack works – how it is not the abusive situation she is used to, but nor is it a haven of peace and tranquillity. There’s also the revelation that she is one of the ultra-rare Omegas and what that means, and that the mating bond with Charles has not yet solidified.

Neither she nor Charles has the chance to assimilate to the changes as a rogue werewolf appears to be killing people, just before the Marrock wants to reveal them all to the world. Charles is the only one he can send to investigate, but things escalate badly when they face an evil far more dangerous than an out of control wolf – but a centuries old threat that could destroy the entire pack.


As someone who is familiar with the world of this series from the Mercy Thompson Series, I found this book fascinating for what it developed. The story was good, it was interesting and it was well written – and certainly pulled me in and was never a struggle to read – but I think the main gem of this book was expanding the world.

Through this book we got to see more detail about the Marrock, his history, what he was and what that means. Through that we also see far more of what goes into being a werewolf – I think one of the problems with writing about such a mainstay of legends like a werewolf is that people have already read so much and tend to take that as a base line. Patricia Briggs has done an excellent job of creating something very original with the werewolves – their immortality and pack bonds – and making that a whole foundation for what it means to be a werewolf. They’re not quirks, or oddities intended to differentiate these from the generic – they’re elements that have created a truly original being and a foundation for their whole society while still paying homage to the mainstays of werewolf mythology. There’s some interesting conflict here that we’ve only seen from the outside – like the nature of being a monster, the need to kill, even the need to put down your fellow werewolves who lose themselves and what that means for your own morality.

This book also opened up witchcraft a little, which has always been something lurking in the back of the series but never really expounded upon to any great degree. These new insights add texture not just to this series but to the world as a whole – it’s one of the joys of reading an expanded universe that you can put the different stories together to create a completed whole without it feeling convoluted.

That doesn’t mean this book isn’t perfectly fine to read if you haven’t read the Mercy ThompsonSeries it’s still fascinating it still has an excellent world and it as a fun, action packed story that is paced well – managing to balance some good action, some great mystery, a few surprising twists and a lot of very concise description of the setting to really bring the mountains alive. I think the characters have a lot of potential – Anna has layers of conflict and experience and learning... but her “growth” often feels like mercurial mood swings. She’s supposed to be gaining on confidence, but she seems to swoop between meek mouse and fierce eagle between paragraphs. I think it’s supposed to be her natural Omega nature pushing through her abused nature but at times it feels… random. The ancient characters also have a pretty good sense of their age which is pretty rare to see done well. And the veteran werewolf was a wonderful and tragic figure.

Even if I hadn’t read the other series, reading this book would pull me in, incite my curiosity and encourage me to read more.

Book of the Week



It's another Monday which means it's time for our next podcast - episode 10 of 2014 where we will talk about all of the shows we've been following this week (or as many as we can get to), our book of the week and whether Renee manages to carve through the permafrost to her home or not - all through our social justice lens. Feel free to join us, listen, ask questions or make suggestions


Like all  the Fangs for the Fantasy podcasts (archives here) we read a book and discuss it on the show. 


To give people a chance to read along with us we include a list of our planned books of the week for the next few shows, so people can get the books, read them and join in the conversation.




7th April - 14th April:  Cry Wolf by Patricia Briggs
14th April - 21st April: The Vampire Lestat by Anne Rice
21st April - 28th April: The Handmaid’s Tale by Margaret Atwood
28th April - 5th May: Night Season by Eileen Wilks
5th May - 12th May: The Queen of the Damned by Anne Rice
12th May - 19th May: Hunting Ground by Patricia Briggs
19th May - 26th May: Banishing the Dark by Jenn Bennet

Da Vinci's Demons, Season 2, Episode 4: The Ends of the Earth



Lupo is having all kinds of conniption fits over the truth about the Pope being an imposter and agrees to take Lucrezia to see her father (but denies her bodyguard – calling him a “slant eyed brute” which Lucrezia objects to). Lucrezia also expands on that whole drowning story – Imposter Pope and Real Pope (hereby IP and RP) are brothers, but IP is the younger who, even as a child, was jealous. So tried to drown his big brother (they may be twins which means, I guess, he has extra bitterness about being considered the youngest). This basically reveals that IP has always been kinda evil.

Lucrezia gets to see her dad, but RP doesn’t want to escape because of cryptic schemes of crypticness. We do get a flashback to how IP (and a younger Riario) used RP’s affection for his daughters to catch him almost alone and unguarded, allowing his twin to kidnap him and take his place.

Anyway, Lucrezia insists on being let in on the cryptic plan because she’s sick of crypticness for crypticness sake and when he ignores 2 separate rescue attempts it kind of begs an explanation. Of course, we don’t get to hear it – but Lupo leads her to the Sword of Osman (the sword of the first ruler of the Ottoman Empire and very symbolic – which is apparently in Rome for REASONS) in the secret archives (that he controls) but gets very put out when she wants to take it with her. The secret archives don’t generally allow borrowing. He tries to threaten her but she’s not even slightly impressed. A guard captain finds them and grabs Lucrezia (she hasn’t had her requisite sex-shaming insult yet this episode, he throws in a few “harlots” in case she misses them) and she demands Lupo pick a side – and he stabs the guard.

Lucrezia and her side-kick prepare to head off to Constantinople for reasons unknown and we have another flashback of when IP took over – and killed her little sister (despite Riario speaking up on both their behalf) because she was innocent – and innocence is useless.m Lucrezia became Riario’s possession/responsibility.


Leo and co are on a ship and Leo continues to be intelligent and erratic and random while Zoroaster and Amerigo continue to be very very practical and worry about silly things like supplies. And there’s another problem, the Circassian slaves they freed are praying and chanting a lot and some of them have stolen knives. Leo is confused by the practical ones explain the difference between agreeing to go on the voyage when you’re all euphoric about being freed and then realising what you’ve agreed to when you’ve been at sea for a week and are heading to uncharted lands no-one’s ever heard of. Amerigo’s also pretty contemptuous of the Circassian beliefs and intelligence and the captain just wants to kill them all.

Leo wants to explain things. Hey, first time for everything.

He tries to teach the Circassians but his explanation rests on “look new stars” and “trust me!” neither of which are impressive. He keeps talking and eventually proves that the Earth is round to them – and that he can read the stars. Which will proves he knows where they’re going because… HUGE LOGIC LEAP just run with it.

Game of Thrones, Season 4, Episode 2: The Lion and the Rose



The Dreadfort with all it’s interesting decorations: Creepy Ramsay and Broken Theon

Time to catch up with some characters we didn’t see last week – starting with Ramsay, his terrified, beaten-down captive Theon, his friendly, sadistic sidekick Myranda and the girl they hunt with dogs and bows for sport. Because Ramsay is, remember, very very very very creepy.

He returns to the Deadfort in time to see his dad, Lord Roose Bolton newly returned from the Freys with his new wife, Walda – who the very evil Ramsay quickly charms, greeting her as his mother. He also has a happy reunion with Locke, Bolton’s huntsman and fellow sadist (who cut off Jaime’s hand). Roose isn’t thrilled that Ramsay has damaged Theon as much as he has since it makes him pretty useless as a bargaining chip to drive the rest of the Iron Islanders from the North (particularly from the fortress if Moat Cailin) – he even reminds Ramsay that he’s only a bastard which really really bothers Ramsay. So he proves Theon’s loyalty – by having Theon shave him, hold a razor sharp blade to Ramsay’s throat while Theon tells him how his father murdered Robb, who was like a brother to Theon. Theon is so broken and afraid, he doesn’t even nick Ramsay – and does tell Roose about Bran and Rickon still being alive (meaning the Starks could rally support back from the people). I think even Roose is a little intimidated- he sends Locke to hunt the boys – and Ramsay to take Moat Cailin.

Did I mention creepy? I think we may need a new word – creepy doesn’t come close.


The Dragonstone, Stannis the also-ran, Mellisandre and lots of fire.

Wannabe-king Stannis burns some people alive for his new Lord of Light religion and his wife, Selyse, has gone all in for the Lord of Light. Ser Davos, the curmudgeon conscience, is less pleased about Stannis burning his loyal allies to death for not giving up their old faith. Selyse is desperately, hopelessly in love with Stannis and brimming with unappreciated fawning loyalty. She doesn’t have the same loyalty and love for their daughter with her birthmark; but at least Stannis loves Shireen.

At Selyse’s suggestion, Mellisandre goes to see Shireen who has a lot of sense and isn’t buying what Mellisandre’s selling.


In the North, beyond the wall Bran, Hodor, and the spooky ones Jojen and Meera

Bran likes to ride around in Summer’s mind though Jojen (weird spooky seer guy) warns him it’s dangerous and he could forget everything (which is bad, apparently). They find one of the trees sacred to the old religion and Bran touches it – getting a range of visions telling him to go North. Take that Jojen, Bran can out-spooky you any day!


Kings Landing, with the Lannisters, Tyrells, Sansa and a Partridge in a Pear Tree

At Kings Landing, Tyrion is trying to convince his brother Jaime to eat and be happy and Tyrion sums up the Lannister kids “the dwarf, the cripple and the mother of madness.” Tyrion reassures the despairing Jaime presenting many options for what he can do with one hand – and getting Bron to help teach him to use a blade again (since he’s discreet and won’t tell the gazillion people who want Jaime dead that he can’t defend himself).

Tyrion’s troubles grow as Varys tells him that he was seen with Shae (after Tywin ordered Tyrion to get rid of her). Tyrion assumes Varys will lie for him – Varys adamantly refuses but does offer to get Shae out of the city to safety before Tywin hangs her (he has sworn to hang the next prostitute Tyrion sleeps with).

There’s wedding breakfast with lots of presents and the long absent Lord Mace Tyrell appears – if you look carefully you can see Olenna’s puppet strings on his wrists and ankles and Cersei is quick to tattle on Tyrion and point out Shae to their dad. Joffrey’s normal nastiness is restrined by Tywin glaring at him, but Sansa, for one, doesn’t buy it (my gods… is Sansa being… SUSPICIOUS OF SOMEONE!?! Every time Sansa side-eyes someone, a butterfly dies). Well, briefly – Joffrey really is too vile for even Tywin to control and he merrily destroys wedding gifts because… he’s Joffrey.

Meeting Shae later, Tyrion tries to convince her to take Varys’s out and when she refuses and talks about fighting his sister and father, he insults her, calls her a whore, calls her unfit, sneers at the men she has slept with; leaving her crushed and tearful and leaving after slapping him.

It’s time for the wedding! And everyone looks absolutely overjoyed, honest. Never has a groom been scowled at by so many guests. It all seems rather restrained, all things considered. At least the after party is super extravagant, or so Tywin complains. Olenna is there to remind him she’s paying half and how awesome she is and how much the Lannisters owe them and will continue to owe them (she doesn’t yell “dance little puppet, dance for you master!” because she doesn’t have to).

Olenna moves on to her next target, first of all commiserating with Sansa over the Red Wedding (“as if men need another reason to fear marriage”) before throwing in some digs at Tyrion because he’s there and she’s Olenna. She’s awesome like that. And Joffrey is still awful. Of course he is. Margaery declares the leftovers from the feast go to the poor because she’s crafty like that, Joffrey’s nasty smug face actually looks like he thinks he’ll get the credit.

Oberyn and Loras make eyes across the party because when one has a cast of a gazillion and 2 men who like men they will always find each other. It’s a TV rule. Jaime drops in to warn Loras he’ll never  marry Cersei (like Loras wants to) and I’m not sure if Loras’s come back “neither will you” is infantile flailing or a very cutting rebuke. Cersei gets in her own digs at her competition for Jaime’s affections – snarking at poor Brienne for loving Jaime. She seems to have built a full steam of spite since she then laces into Pycelle and has the leftovers given to the dogs, not the poor.

New Releases 14th April - 20th April

What follows is a list of books which will be released between April 13-19.  It can be tough  keeping up with ongoing stories and often we miss the latest new release, unless the book/series is the beneficiary of a big round of publicity . That is why we are committed to sharing with you books that are the first in their series every week.  Please check out the list and let us know what books you are interested in checking out and why.



The Kraken King Part 1 by Meljean Brook




A former smuggler and thief, Ariq—better known as the Kraken King—doesn’t know what to make of the clever, mysterious woman he rescues from an airship besieged by marauders. Unsure if she’s a spy or a pawn in someone else’s game, Ariq isn’t about to let her out of his sight until he finds out…

After escaping her fourth kidnapping attempt in a year, Zenobia Fox has learned to vigilantly guard her identity. While her brother Archimedes is notorious for his exploits, Zenobia has had no adventures to call her own—besides the stories she writes. But when she jumps at the chance to escape to the wilds of Australia and acquire research for her next story, Zenobia quickly discovers that the voyage will be far more adventurous than any fiction she could put to paper…





House of Ivy & Sorrow by Natalie Whipple



Josephine Hemlock has spent the last 10 years hiding from the Curse that killed her mother. But when a mysterious man arrives at her ivy-covered, magic-fortified home, it’s clear her mother’s killer has finally come to destroy the rest of the Hemlock bloodline. Before Jo can even think about fighting back, she must figure out who she’s fighting in the first place. The more truth Jo uncovers, the deeper she falls into witchcraft darker than she ever imagined. Trapped and running out of time, she begins to wonder if the very Curse that killed her mother is the only way to save everyone she loves.


Nightmare Ink (Living Ink #1) by Marcella Burnard



From “smoking-hot talent”* Marcella Burnard comes a dangerous and captivating new novel that will get under your skin.

With her art and magic, Isa Romanchzyk has the power to create or destroy. In her tattoo shop, Nightmare Ink, Isa helps those in need by binding the power embedded in their Live Ink—the magical tattoos that can enhance the life of the wearer, or end it. But binding tattoos has earned Isa the contempt of her fellow artists—including her former lover Daniel.

When a friend comes to the shop with a tattoo on the verge of killing him, Isa can’t turn him away. For the first time in years, she works Live Ink—something she swore she’d never do again. But a broken vow soon becomes the least of her problems.

The real nightmare begins when she’s abducted and inked with a Living Tattoo against her will. Now, saddled with a powerful, amoral entity willing to do anything to win his freedom, Isa must fight to keep her Living Tattoo from consuming her completely...

Sunday, April 13, 2014

Grimm, Season 3, Episode 18: The Law of Sacrifice



“The Queen was terrified and offered
The little man all the riches of the
Kingdom, if only he would leave the
Newborn child alone.”


Adalind is still at Renard and he clearly expects her to stay – she does acknowledge that Kelly was nice enough but she’s a Grimm, Adalind is a Hexenbiest. That doesn’t usually end well. Which is when the intercom buzzes – Nick is here and Renard lets him up (much to Adalind’s horror). But Renard does take a gun – and Adalind tells him to kill Nick if he tries to take the baby.

Over in Austria, Prince Viktor isn’t thrilled about Adalind’s escape or his dead Verrat. Marcus, the new Verrat leader can at least confirm that Adalind is in Portland so they contact their agent there, a guy call Mr. Steward, to hunt them down and bring the baby back as of yesterday. Steward is apparently Agent Steward of the FBI.

Nick meets Renard and both have guns close to hand. There’s a very tense stand off and Nick and Adalind exchange barbs but Nick insists he and Kelly want to protect the child, not take it. He further points out how much Viktor is going to know exactly where Adalind is since they know where she lived given that she used to work for them. He offers his help, which they need, and turns to leave so they can make the next move. Of course Nick’s very sensible speech reminds Renard that Adalind worked for his evil brother and didn’t exactly go to Austria unwillingly. But they make peace and while they have issues (“you slept with my brother!” “you slept with my mother!” which, yeah, they’re usually relationship roadblocks. At least they kept it in the family?), they’re back together again.

Downstairs Kelly observes Steward arrive (not-subtly-checking his gun) and ask after Adalind. He sends up a couple of Verrat Red Shirts right before Kerry assaults an FBI agent and knocks him out. Nick is worried about the FBI involved since agents died last time (Kelly denies responsibility – which is amusing that her first reaction to a murder is “hey, that’s not one of mine!” Also he’s totally not dead.) Since she saw the 2 disposable Verrat head upstairs, Nick and Kelly hurry back, Nick calling ahead to get Renard to evacuate.

The Verrat attack. 2 Verrat vs 2 Grimm. It is not a fair fight.

And Nick calls Monroe, interrupting him and Rosalie in the middle of the night. Poor Monroe and Rosalie. Nick brings them up to date (and it’s hilarious – and I should be taking a record of the number of times Kelly defends one of her killings). And they want Monroe and Rosalie to put up Adalind and the baby

Adalind isn’t eager to be shipped off to unknown safe houses but the whole point is that if she doesn’t know where she is then nor do the people hunting her and the baby reminds us all how creepy it is.

Nick finishes his explanation of everything to Monroe who is not exactly overjoyed to have all of this brought into his home. Kelly and Renard find their own kind of truce but she’s not exactly a polite houseguest (poor Rosalie) while Renard tries to be appreciative. While they head out Kelly tells Renard that as long as he has his child both he and she will be vulnerable – and Adalind made a mistake coming to him

Friday, April 11, 2014

Seven Kinds of Hell (Fangborn #1) by Dana Cameron


Zoe Miller knows that she is different.  Having discovered that she is a werewolf,  Zoe will do anything to keep it from the people she loves.  If that were not enough for one young woman to deal with, Zoe and her mother are being pursued by her father's people.  This causes Zoe to spend most of her life on the run. Things come to an head when Zoe's mother dies and her cousin is kidnapped.  Suddenly, Zoe is forced to confront the supernatural world that she has spent her entire life running from.

Though much of this book is concerned with the pursuit for Pandora's legendary box, Seven Kinds of Hell is largerly a thriller.  In some ways, it reminds of The Da Vinci Code or even Indiana Jones but unfortunately,  not nearly as compelling. Part of the problem is that there are too many characters, who then repeatedly change sides. This is thrown into a world in which we are given little information about.  However, in Cameron's defense, this is because the story has a first person POV and  Zoe being a mutt, doesn't know anything about the Fangborn family she was born into. Unfortunately, this gives the book a lack of cohesion.

I started out completely committed to finding out where this story was going but by about 1/3 of the way through, I found myself not really caring. Seven Kinds of Hell became a book to finish because I started reading it and not because it is compelling.  I just found that I couldn't connect with any of the characters and therefore could not invest in the story.  It took me much longer to read than it should have.

Seven Kinds of Hell absolutely passed the Bechdel test.  There are several strong characters, including a female protagonist.  In many ways the male characters feel very much like a supporting cast.  The real problem for me is Zoe. I don't understand why she chooses to stay behind after her mother died, thus leading the enemy straight to her loved ones, after spending a lifetime knowing that the best option is always to run. It feels extremely out of character for her.  Considering that this happened at the very start of the book, it most certainly is a problem.  We are told that Zoe is willing to do anything to save the people she loves and yet she easily ditched Sean.  Why?  Yes, he has been messed with but how was he not in danger?