Tuesday, November 29, 2011

Once Upon a Time, Season 1, Episode 5: That Still Small Voice



So we begin with a pickpocketing youngster and his parents in fairytale land. And we end up with some very heavy-handed “ideals” which clearly are going to be challenged by the end of the episode (wow, seriously, there wasn’t even a hint of subtlety here). Interesting that we’re going to have some more moral questioning on the programme – like we did with Cinderella’stale that had some fantastic (albeit un-nuanced) messages in it. But a lighter hand would be nicer.

Anyway, little pickpocket boy has been told that good=weak, let his parents do his thinking for him, he’s “free to do what we want”, and he can’t change who and what he is. Oh and the boy is Jiminy Cricket (he grows up to become a cricket, wow, not my dream come true, but different strokes I guess). We continue to follow him working with his immoral, thieving parents objecting to their naughty ways (one thing it does make clear is that the parents steal from greed rather than necessity as their legitimate enterprises earn them enough money. I can understand doing this to differentiate them from many driven to extremes by poverty but at the same time it feels like a simplistic way to avoid any nuance or grey areas. But at least it kind of acknowledges that those grey areas exist).

His fence for all his thieving turns out to be Rumplestiltskin whose scheme is, of course, nefarious and wrong which kills 2 people and leaves their child an orphan. Leading to Jiminy wishing and regretting until the blue fairy (token black inclusion for 5 minutes, at least she didn’t die this time) turns him into a cricket to help him guide the boy who lost his parents.

In the real world Emma is having uniform arguments with the sheriff (yes, remember Emma is a deputy. I can’t say I’m familiar with American law enforcement but I cannot imagine it’s that easy) making it clear she doesn’t need a tie (or traditional masculine clothing) to have authority. Did I mention I liked Emma?

And Henry is having therapy sessions with Dr. Archie (Jiminy Cricket: oh dear gods, can you imagine? I’d squish him by the third session!) who has apparently been pulled into Henry’s minions as well. The mayor is tired with Archie’s therapy and has a big dramatic threat to demand the doctor uses other methods to “cure” Henry of his delusions. She reminds him whose boss and that she can destroy him, an employee (shadows of what his parents said in fairytale land, yes that’s that lack of nuance again). In some ways this has strong echoes of how many people treat mental illness – as something that can be quickly and easily fixed. And also how vulnerable many are to incompetent, prejudiced or agenda driven mental health practitioners

Lost Girl, Season 2, Episode 10: Raging Fae



Wow, we start with the succubus actually feeding? About time! 

Bo, having had an apocalyptic vision last episode, has decided that the best thing to do is avoid trick – y’know the guy with all the knowledge, because she thinks she killed him in the vision (which is a reason not to find out more, apparently or, maybe, give him a vested interest in making sure said vision doesn’t come to pass). She even resists Trick’s offer of a full Sunday lunch with Yorkshire Pudding.

Interrupting the musings of a good dinner, Lauren calls Bo to one of her patients – an ogre who has been badly beaten by a human (clearly this ogre goes to the Bo school of combat) in illegal underground fighting ring. And yes, that’s a human defeating ogres – which shouldn’t be happening.
Needless to say, Bo isn’t all that amused by the idea of underground fighting rings. Except that Fererro, the guy who runs the fights is a Light Fae of impeccable record – and, of course, beating and killing humans isn’t considered that big a no-no in fae society. Giving special powers to humans so they can beat ogres? Now that is naughty and will get one into trouble, if it can be proved. 

Bo goes to join Ferrero's fighting gym and cage fights (and lo, she remembers her succubus powers to save her from the human beating her! How is it that waaaaay back in season 1, episode 1, with no training or experience with her abilities,Bo can take down underfae without breaking a sweat but now wrestling human fighters and even battling a human dominatrix is beyondher?). Oh and of course, while Bo was considered too delicate for a fighting gymn (go find a yoga class – after all yoga and pilates are the only physical exercise delicate white women can do, right?) the woman she fights is a muscular black woman – that’s not stereotyping at all now, is it? Then she gets the stage name “boom boom”. Yeah, do I even need to talk about that? 

Monday, November 28, 2011

Fangs for the Fantasy podcast, episode 43

This week we examined the lastest episodes of The Walking Dead, Once Upon a Time, Lost Girl and American Horror Story

We examined our book of the week: Cold Fire by Kate Elliott, as well as the books we're reading including JR Ward, DB Reynolds. We also mentioned Charlaine Harris and infamous Teagarden series. Next week we will be reading My Life as a White Trash Zombie by Diana Rowland


A Behind The Scenes Look at Season Two of 'Game of Thrones'


Alright, I know that this is straight up fantasy and not urban fantasy, but I am a fan of this show and so I was super excited when I came across the following video. I know that Game of Thrones has a huge fan base and so I thought that others might be excited to see the following video.

Review, Lover Mine by J.R. Ward, Book 8 of the Black Dagger Brotherhood



This book follows John Matthew and unlike the last book it’s pretty much focused on his story – and the story of Xhex. 

A few things happened in this book – Xhex had to evade her kidnapping at the hands of Lash, the Omega’s own son. Lash originally took her because she killed his symphath prisoner and ended up infatuated with her and her willingness to fight back. But all is not simple in Lash’s life – with a rift developing between him and the Omega and his own body transforming around him.With Lash on the outs, the Omega has a new fore-lesser with a new and potentially horrendous tactic – the Brotherhood has to deal with

We see greater insight into John’s connection to Darius – and more of Darius and Tohrment’s past, as well as some of the changes to the Chosen’s circumstances. But mainly we see Xhex and John recover from their ordeal, sort through their past issues and finally plough their way towards each other, seeking vengeance and having lots and lots of sex. Oh and Qhuinn and Blay drowning in theirs.

Ok, as summaries go that was a little scrappy, but they are focused on one storyline (the side-plots are not only distracting but they’re almost laughably hollow and irrelevant) and the relationship between John  and Xhex is just one long angst/issues/sex/make me want to break my kindle fest. Deep breath guys because this isn’t going to be a good one.

I say the Brotherhood have to deal with various things here, but I’m taking that on trust, because I have no idea what they were doing. I know I wanted a more focused story, but what are Zsadist, Vishous, Rhage and Phury (who is always on speakerphone, he’s that busy) actually doing? Because not only do we not see them much, but they always seem to be there when needed. Do they just hang around looking bad-ass until called? If they’re not doing anything could someone get them a thesaurus and point out that “shitkicker” is not synonymous with “shoes”.

In general I have found this series to be highly problematic (and have other flaws besides) but I’ve found enough to amuse me that I generally leave each book laughing rather than cringing.
I'm not laughing.

This book took most of the problems the series has had, highlighted them and clicked bold and poured them all out at once.

The Walking Dead Season Two, Episode Seven: Pretty Much Dead

The episode opens over breakfast with Carol cooking.  Why is it the male survivors can never make any food or wash a damn dish?  Glenn gathers their attention and says, "so, the barn is full of walkers." The scene flashes to the barn and we see walkers ambling about as Shane peers through a hole in the wood. Shane immediately charges up to Rick saying, "you can't tell me that you are alright with this. We either get make this right or we got to go".  Rick reminds him that this is Hershels land. When Carol intervens saying that her daughter is still out there, but Shane  asserts that she is dead which causes Darryl to intervene. Shane says to Darryl, "And if she saw you coming with your buck teeth, and ears around the neck she would run in the other direction".  Dale tells them that Hershel sees these things as people, but then Shane loses his mind again that Dale waited to say anything.

This one time I have to agree with Shane.  Those walkers are dangerous and no matter what Hershel says, they are most definitely not people.  He walks around outside the barn and attempts to brake the locks. Glenn approaches Maggie and begs her to talk to him.  She asks him for his hat, and then puts an egg in it and cracks the egg over his head. He asks, "why would you waste an egg like that," and she says, "I think it was rotten".
Working on some math problems, Carl tells Lori that he is not leaving until they find Sophia and even then he does not want to leave.  He tells her that he thinks this would a good home. After everything that this little boy has seen it really is no wonder that he sees Hershel's farm as a good place to stay. 

In frustration, Darryl saddles a horse to leave because it is clear that searching for Sophia is no longer high on the list of things to do, but Carol tries to stop him.  She says, "we don't know if we're going to find her, we don't, I don't.  I can't lose you to".  Darryl throws the saddle in anger injuring himself, but when Carol asks him how he is he says, "just leave me be, stupid bitch".  Okay, anyone still arguing that he is a good guy? 

At the camper, Glenn is sitting watch and finds Andrea loading up on weapons.  She tells him that Shane wants a watch duty at the barn.  Dale tells her that he does not know what is going on with Shane and that she may not really know him. She says, "I get it you don't like him".  He asks, "is that how you wanna be, like him"? And she responds, "he's not a victim". Dale says, "you don't know him".  Andrea answers, "Dale I need you to stop, you spend so much time watching me". He says "you want to beat me up everytime I show any kind of concern". Isn't that just typical, he's been policing her and treating her like a possession, but it really is all about him being the victim. There isn't a woman in camp that he hasn't tried to control in some way. She says, "I'm okay, things are different".

Glenn asks if Dale is okay and Dale uses this opportunity to be relieved  to get him some water, because he needs a second. Glenn asks him if he will keep watch and distracted he answers, yeah sure. Clearly Dale is up to something and it is based in his absolute distrust of Shane. 

Hershel sits at a table when Rick walks in.  He offers to help them out with the work and he says, "it's my field to tend". Rick tells him that he found the barn, but Hershel says that he does not want to talk about the barn.  He then says "I need you and your group gone by the end of the week". Rick responds that if they send them out there that they may not live. He says this farm is special and that Hershel has  been shielded from everything that happened out there.  "The first time I saw walker, it was just half a body with a head snapping at me". Viewers may recognize this walker as the one that was featured in the webisodes. Rick says "please do not send us out there again. Lori is pregnant. That is either a gift here, or a death sentence out there".  Hershel says he thought about it and that they cannot survive together. 

Outside Rick approaches Shane. Shane asks "whats it going to be man, which way does this thing go?" Rick tells him that they are negotiating.  Shane answers that the clock is thinking.  He says they know that there are about a dozen walkers in there, a stones throw away from where they sleep.  He asks why he wants to stay there, when it's not safe? Rick finally tells Shane that Lori is pregnant, and that they need to stay. Shane says, Lori is having a baby man, congratulations, but the minute he walks away, Shane turns to face the barn. It is obvious that congratulating Rick was extremely hard for Shane to do. No matter what he has said to Lori, Shane has not let go of what happened between them.

In the kitchen, Hershel tells Maggie that Carl does not need anymore of his help. He says that it will be hard and that Rick was being dramatic. He feels that they need to choose their own farm.  Maggie tells him that all the farms are all full of walkers. She says, "Love one another as I have loved you," when Hershel asks how Ricks people are his responsibility. Maggie tells him that he's different. Hershel asks if this is about her and "the Asian boy". It seems that despite his strong religious faith, his White male privilege prevents hims from seeing Glenn as a person.  She tells him that his name is Glenn and that he saved her life yesterday.  I was so relieved that Maggie called him on his reductive treatment of Glenn, She says, "things aren't what you think they are, don't do this. It's not about me and Glenn, it's about you, who you are and who you are going to be". 

Rick and Andrea are planning on doing a seach for Sophia, when Hershel walks up says that he needs his help with something. Andrea offers to help, but he says, "thanks, I just need Rick". Can we ever have a moment on this show where women aren't automatically dismissed?

Sunday, November 27, 2011

Snark theatre: Laurell K Hamilton's Narcissus in Chains

It may surprise you that I like me a bit of snark. No, I know you're totally shocked, right?

So, upon finding this lovely series snarking Laurell K Hamilton's Anita Blake series:



I'm devouring it with glee and episodes that make me stand up and cheer I will share :)

Like the snarker, I dislike what has happened to Anita Blake - and I have to say it's definitely "what happened." I think in many ways I intensely dislike the books from Narcissus onwards because I KNOW Laurell K Hamilton can do better than this. And yes, it is a little more to me because LKH's Anita Blake was my first Urban Fantasy, the first ones I ever read, a good decade or more ago. This series was what sold me the genre. Yes, behold why I cling desperately to them

This is why I don't actually dislike Meredith Gentry to the same degree - because Merry and her colour coded orgy-elves have never been anything but Merry and her orgy-elves. The same way why so many other bad paranormal romance doesn't irritate me as much as Anita

But Anita? Once she was more than this. She had plot, she had style, she wasn't perfect (and certainly there were Mary Sue elements) but she was strong and arsekicking (in ways that went beyond a new sex-activated super power every week). Not the BEST protagonist up there, but she was up there - ready and willing to show Sookie, Elena and Bella how it SHOULD be done.

And then along came Narcissus in Chains. it was getting shakey up to then, but Narcissus was when we firmly boarded the Hot Mess express to Train Wreck Land

The Fades, Season 1, Episode 5


Last episode we had a lot of coming back to life. John, the Big Bad Fade came back to life eating human flesh and also helped Natalie, another Fade do the same – and they’re getting an army of flesh eating Fades. Meanwhile Paul, our hero, also came back to life because he’s that powerful an Angelic, and the Angelics have their own Fade, Sarah, snacking on human flesh so she can become real as well (though I wonder how much of that is to help the side of goodness and how much of it is so she can reconcile with her husband Mark who is accused of the murders and pushing her away because he can’t stand the idea that she could be there but be utterly unable to sense her).

This episode we open with Mac’s father, Detective Armstrong looking at an investigation board covered in missing and murdered people – the casualties in the Fades’ quest to gain flesh to manifest. I like this scene if nothing else because there tends to be a lot of series/books in urban fantasy with a high bodycount and very little of the repercussions of that being shown (except hero angst). Here we have a sense of that much loss.

And the large numbers of new, naked fades being born. The good news is that Detective Armstrong’s arsehole, racist boss gets eaten by John the Evil!Fade. good, I was hoping he would be eaten (Walking Dead, take note – unpleasant people get eaten by the undead. Please have Shane eaten now). The escalating missing rate leads to a crisis centre being set up in the school

Meanwhile Paul is out of hospital (I want a Got Well Soon cake) against Doctor’s orders simply because they can’t imagine someone coming out of a coma healthier than when he went in (go go Angelic power) but Mac declares him geekily cured. Can I say for the hundredth time how amazingly good the relationship between Mac and Paul is? I mean the relationships in this series are amazing anyway – Paul and his mother, Paul and Jay, even Anna came into her own this episode – but Paul and Mac are such perfect, real, amazingly portrayed friends who bounce off each other most excellently