Urban Fantasy, as a genre, is no stranger to “strong female characters.” It’s not perfect, by any stretch of the imagination - we still have a lot of female characters who make us want to tear our hair out, and Spunky Agency is, alas, so common that we’ve run entire posts trying to decide which Spunky character takes the prize for the worst decision ever. We also have a lot of “strong female characters” who are little more than weapons with breasts - which often also comes with “strength” being misinterpreted as “anger management problems”.
So, yes, problems. However, putting these aside for a moment, this genre has no shortage of women who can kick arse, claw faces, chop off heads and, occasionally, throw various kinds of magical death. These women are dangerous. These women are lethal. These women can take on small armies and come out the other side with nothing more than a snarl on their face and a very big cleaning bill.
So, with all these kick arse female protagonists and main characters, why do so many of them end up in peril? Why are so many of them severely weakened, traumatised, rendered helpless and, in all too many cases, in need of rescue?
I’m using the word “peril” here for a reason. When I do a google image search for the word “peril” I get picture after picture of women largely tied up and helpless. (Even when removing deviant art from the equation). Peril, the way it is used in fiction, has very different connotations than “danger”. I would expect any Urban Fantasy protagonist to face danger on occasion, it’s an obvious part of many books with any kind of action in them. But “peril” conjures images of helpless damsels tied to train tracks while some mustachioed villain cackles over their helpless forms.
It is peril - weakness and helplessness - that differentiates this trope from the classic action-hero who gets terrible beaten up but keeps on going because they are just that tough and awesome. Or the action hero who is taken prisoner and cooly spits defiance at his captors even when they use torture and prepare the slow-killing-laser. We are not meant to be awed by these women’s ability to suffer incredible damage and still keep moving, we’re not meant to be impressed by the will of these women to keep fighting like Harry Dresden carrying on the fight while his hand is seared to the bone, or Atticus fighting on with terrible burns all over his body. Those are scenes that use danger to emphasise the protagonist’s strength - not peril to bring them low.
Kelley Armstrong’s extensive Otherworld Series is, perhaps, the poster child for this trope, so much so that her own characters even lampshade it - with Savannah commenting on how she’s starting to match Jamie in the number of times she’s been kidnapped (yes, the female protagonists in this book can have a kidnapping league. It’s almost unrealistic for them to be scared because it should be such a mundane occurrence). It’s especially vexing with Savannah because so much of the series emphasises her power (when it’s convenient to have her as a loose cannon) then we have two entire books where her power is stripped from her - and she is imperiled. Jaime sometimes manages to be captured and imprisoned several times a book but Hope could quite likely take the gold from her in the kidnap olympics. They’re truly impressive damsels. Elena is little better, despite her being one of the most lethal women in the series: being kidnapped in Bitten (where her plan involves running off alone to the bad guys to be captured because Spunky), the whole plot of Stolen revolves around Elena being captured and abused (after she drove off alone seconds after being warned of disappearing supernaturals because Spunky). Broken is another book that revolves around Elena’s peril (made more perilous by Elena being pregnant) exacerbated by her deciding to go see the bad guy alone (because Spunky).




